Lucky is tricked into missing his own wedding again and has to make $25,000 so her father allows him to marry Margaret. He and business partner Pop go to New York where they run into dancing instructor Penny. She and Lucky form a successful dance partnership, but romance is blighted by his old attachment to Margaret and hers for Ricky Romero.

Skip and Flip went from playing frat parties at the University of Arizona to nationwide fame when their infectious pop hit the radio in '59. They've both had long, multifaceted careers (Skip with the Byrds and Flying Burrito Brothers, Flip as a producer/writer/hit maker), but we'll always remember them for It Was I; Cherry Pie; Fancy Nancy, and the rest of these great early pop songs. 15 tracks.

March 1945. A handful of very young Allied operatives are parachuted into the remote jungled heart of the Japanese-occupied island of Borneo, east of Singapore, there to recruit the island's Indigenous Dayak peoples to fight the Japanese. Yet most speak next to no Borneo languages and know little about Dayaks other than that they were once headhunters who might kill them on arrival. For their part, some Dayaks have never before seen a white face.

For all the progressive tendencies of contemporary bluegrass, which at its fringes sees virtuoso musicians take on expansive improvisations that resemble breakneck jazz, bluegrass has always been a music based on the songs and traditions of the old mountain string bands, albeit boosted and given more sonic range by electricity, amps, and microphones, the very thing that allowed it to be born into the modern world. But bluegrass quite likely never would have been anything more than the old string bands on steroids were it not for Bill Monroe, who almost single-handedly gave the new genre its shape, form, and dozens of its key songs.

King Crimson is a decidedly unwieldy band. Spanning more than 35 years (as of this writing) and at least seven distinct lineups, and complicated by the studio vs. live dichotomy (not to mention no hits to speak of), this is a band that almost refuses to be anthologized. Anything less than a box set doesn't really do the band justice, but anything more than two discs may seem like a grand investment to someone who just wants to get acquainted with them. Since King Crimson completely ceased to exist in the mid- to late '70s and early '80s, that seems a logical dividing point in examining the band's output. And that's exactly how Robert Fripp approached it when he assembled the 21st Century Guide to King Crimson in two volumes.