A fresh blend of Craig’s pioneering garage sound, RnB and blazing club bangers, this album is a celebration of one of the UK’s most loved artists, back on British soil, and at the helm of his own unique, authentically British sound; a sound that made waves across the globe, making him the voice of one of the most pivotal eras in UK music, and in turn, making him one of the most successful artists in UK chart history. Sixteen years since the critically-acclaimed, Born To Do It changed his life, Craig catapulted back into the charts and in to the nation’s hearts with Big Narstie on the single "When The Bassline Drops", marking the beginning his triumphant return. From the bass bubbling smash hit, "Nothing Like This" with Blonde to the stripped back "All We Needed" showcasing Craig’s vocals, the new album pays homage to his distinctive signature sound, but also shows Craig in a new found light. It is the same, instantly recognisable voice, but showing the progression of an artist that has truly come in to his own.

Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.

Información de la editorial: Sazan Eyes (su título original) narra la historia de Yakumo Fujii, un estudiante normal y corriente que trabaja de camarera en un bar (no hay error) porque se las tiene que apañar solo. Su madre abandonó el nido familiar y su padre es un antropólogo desaparecido. Sin embargo, pocas páginas dura la normalidad cuando aparece Pai, una mujer tibetana que le asegura que su recién fallecido padre la envió con él para que la ayudara a volverse humana, ya que es la última de una raza de demonios de tres ojos llamados Sanjiyan Unkara.

With this 29th volume in the Romantic Piano Concerto series we commence a cycle of three CDs that we hope will include all eight of Moscheles' piano concertos. It also marks the start of our exploration of concertos from the earlier part of the 19th century, which we have so far rather neglected.