The thirteen sonatas on this première recording represent the complete music for solo piano by the Parisian keyboardist and composer ANNE-LOUISE BRILLON DE JOUY, a musician much celebrated in her day and greatly admired by Boccherini. Introducing technical innovations more usually associated with Czerny and Liszt, these sonatas reflect a gloriously rich musical environment, incorporating and transforming elements from music of the time with great imagination and wit, and showing us that Madame Brillon's glittering salon, though private, was by no means isolated.

Leave it to the classical music biz to issue three discs of Kalliwoda orchestral music at exactly the same time! Between Orfeo, CPO, and this newcomer, we now have four of his seven symphonies available in excellent performances (a previous release of Symphonies Nos. 5 and 6 on Centaur isn’t at the same level as these). The four works on the present release give a fine idea of the composer’s wide-ranging inventiveness and ready appeal. The Overture Op. 145 (No. 12 out of a total of 24) was composed around 1843 and has a main theme with almost exactly the same shape as that of the first-movement allegro of Schumann’s Spring Symphony. It’s an ebullient, celebratory work that also contains a popular anthem related to its dedicatee: you can check out the booklet notes if you’re curious.

Long-awaited expanded double-CD edition of acclaimed soul-jazz vocal stylist and songwriter Lalah Hathaway’s first two albums – “Lalah Hathaway” (1990) and “A Moment” (1994). Features a wealth of bonus material including hard-to-find mixes, b-sides and rare Japanese-only single ‘Night And Day’.

A collection of some of McCoy Tyner’s best Montreux Jazz Festival live performances! The audio has Expertly restored and remastered in superlative HD audio; The Montreux Years is released on superior audiophile heavy weight vinyl, MQA quality CD and in HD digital.

The cycle of the seasons has been celebrated many times by composers, from Jean-Baptiste Lully (Ballet of the Seasons) to Alexander Glazunov, not forgetting Antonio Vivaldi and Joseph Haydn. In the 19 th century, composer-pianists such as Carl Czerny and Isaac Albéniz used the seasons as inspiration for keyboard pieces. Others imagined painting a little musical picture for each month of the year. This was the case for Fanny Hensel (the sister of Felix Mendelssohn) with Das Jahr (1841), for the French composer Charles-Valentin Alkan with Les Mois (1872) and for Tchaikovsky with his Seasons, which are undoubtedly the most famous of these musical calendars.