Even many serious Rolling Stones fans aren't aware that Bill Wyman issued a solo album in the early '90s, as Stuff initially came out only in Japan and Argentina. Like some other Stones projects of the time, it wasn't recorded in a concentrated dose, but pieced together from sessions dating back as far as September 1988. Even had it benefited from a worldwide release, however, it's hard to see how many fans – of the Rolling Stones or otherwise – would have taken to the record, for these are largely basic, repetitious funk-disco-dance-based tunes with a dated 1980s synthetic production. Wyman's thin, hoarse vocals don't help, and while it's possible these are intended more as satires of a trendy style or '80s stars like Prince than serious artistic statements, the wit is so mild that any jokes are wont to pass largely unnoticed.

The Dirty Truth marks Joanne Shaw Taylor’s fourth studio release and second time working with producer Jim Gaines (the first being on her studio debut some five years ago) with the goal of tapping into some of what drove White Sugar. The record plays out like what we’ve come to expect from Taylor - a heady combination of not-quite-aggressive and not-quite-mellow - but this one sounds a little closer to home for Taylor. Her songs just sort of flow off of the record naturally, almost as though they’d always been out there somewhere and Taylor merely uncovered them and made them accessible…

Good Karma is the tenth studio album by Swedish pop rock duo Roxette. The album was released on 3 June 2016 by Parlophone. It is the first album under a new international recording contract with Parlophone's parent company, Warner Music Group. "It Just Happens" was released as the album's first single on 8 April 2016. Per Gessle said of the album: "For the new record, we wanted to combine our classic Roxette sound with a modern and slightly unpredictable production to create a soundscape where you would both recognise our sound and find something new."

A workaholic cop begins to suspect that his new lover may also be a serial killer.

Texto promocional de la editorial: Antología de las mejores aventuras de El Botones Sacarino, una de las series más importantes y populares de Francisco Ibáñez.
Empezó a publicarse en 1963 en el número 628 de El DDT, con el título de El Botones Sacarino. El aullido Vespertino.
Sacarino empezó siendo el recadero de la redacción de un periódico y acabó como botones de la redaccion de la propia revista El DDT, en donde se publicaba.

Ultravox (formerly known as Ultravox!) are a British new wave band, formed in London in 1974 as Tiger Lily. Between 1980–86, they scored seven Top Ten albums and seventeen Top 40 singles in the UK, the most successful of which was their 1981 hit "Vienna". The band has been led by two different frontmen who never played together in the band at the same time. From 1974 until 1979, singer John Foxx was frontman and the main driving force behind Ultravox. Foxx left the band to embark on a solo career and, following his departure, Midge Ure took over as lead singer, guitarist and frontman in 1980 after he and keyboardist Billy Currie worked in the studio project Visage. Ure revitalised the band and steered it to commercial success lasting until the mid-1980s. Ure left the band in 1987 after establishing his own solo career and the group disbanded for a while. A new line-up, led by Currie, was formed in 1992, but achieved limited success.

Johann Heinrich Rolle belongs to the generation of J. S. Bach’s elder sons. Pipped at the post by C. P. E. Bach as Telemann’s successor in Hamburg, Rolle centred his musical life round Berlin and his native Magdeburg. Recitatives, arias, duets and choruses make up this two-part music drama which is both lyrical and on occasion vividly pictorial in its imagery. A fine performance.