Anticipation is singer-songwriter Carly Simon's second studio album, released in 1971. It is best known for its title track, "Anticipation", which was a top-twenty chart hit in the U.S.; it was later used as the soundtrack for several television commercials for Heinz ketchup starting in 1973. The song relates Simon's state of mind as she waits to go on a date with Cat Stevens. The album cover artwork is a photo of Simon taken at the gates of Queen Mary's Garden in London's Regent's Park.

Carly Simon is the debut studio album by American singer-songwriter Carly Simon, released in February 1971. The album was produced by Eddie Kramer, who had previously worked with Joe Cocker and Jimi Hendrix. The album included Simon's first Top 10 hit, "That's the Way I've Always Heard It Should Be", a somber ballad centered on a woman pondering marriage with a sense of both inevitability and entrapment; the song was written by Simon and collaborator Jacob Brackman. The album features material written by Simon, with additional writing by Brackman, Kramer, and Freddy Gardner. The album also features covers of songs by Mark Klingman and Buzzy Linhart.

Live-Evil is an album of both live and studio recordings by American jazz musician Miles Davis. Parts of the album featured music from Davis' concert at the Cellar Door in 1970, which producer Teo Macero subsequently edited and pieced together in the studio. They were performed as lengthy, dense jams in the jazz-rock style, while the studio recordings were renditions of Hermeto Pascoal compositions. The album was originally released on November 17, 1971.

Sarah Vaughan recorded in a variety of settings while with Mercury and EmArcy in the 1950s, but this particular matchup with the Count Basie Orchestra (pianist Ronnell Bright substitutes for Count, thus the title) is pure jazz.

After their highly acclaimed 2014 debut album as a duo, Moderato cantabile, Anja Lechner and François Couturier widen the scope of music even further.

Formed in a Toronto high school in 1966 by vocalist Buzz Sherman, guitarist Gord Waszek, bassists Joe Agnello and Don Elliot, drummer Wally Cameron and keyboard player Newton Gerard, Leigh Ashford played for a year before they joined the Spirit to become the Spirit Revue.

setting! The piano here is all acoustic, but there's an almost-electric vibe to the date – long, open tracks that sway and swell with some great spiritual energy – made even more wonderful by work from reedman Harold Vick, who plays tenor, flute, and soprano sax on the record – and makes it one of his best recordings ever!

Fearless is the second studio album by American singer-songwriter Taylor Swift.

Francesca Massey is an outstanding British organist who at the age of 19 had gained all the top prizes in the Followship in the Royal College of Organists'diploma and was subsequently awarded the WT Best Memorial Scholarship and Silver Medal of the Worshipful Company of Musicians and the Musicians Benevolent Fund's Ian Fleming Award.

Balmorhea's debut album The Wind, a stunning blend of ambient Americana and contemporary classical, received rave reviews upon its release last year. Now the Texas duo, consisting of Rob Lowe and Michael A. Muller, has teamed up with award-winning filmmaker and Amazon Music creative Director Jared Hogan to film a unique live performance of the album at the Chinati Foundation in the desert city of Marfa, Texas.

The Chopin Project is Franco-Belgian cellist Camille Thomas' most ambitious project to date, comprising a trio of albums that pay tribute to Chopin's favorite instrument.

Who are these guys? That’s the usual reaction of anyone fortunate enough to have come across this remarkable (and remarkably rare) session from 1963.

The Tenors recently welcomed Grammy and Juno award nominee and international recording artist Mark Masri and the most celebrated new voice to emerge from Italy in a generation, winner of Italy’s most prominent TV competition “AMICI”, Alberto Urso.

Recouping after a car crash and faced with the loss of Rod Stewart and Ron Wood, Jeff Beck redefined what the Jeff Beck Group was about, deciding to tone down the bluesy bombast, adding keyboardist Max Middleton for a jazz edge, then having Bob Tench sing to give it an overblown early-'70s AOR edge.

Continuing with the same group lineup as on Rough & Ready, Jeff Beck Group was slagged off by critics for Steve Cropper's admittedly lazy production. However, several of the songs hold up masterfully, including the skronky "Ice Cream Cakes," the superlative redo of Don Nix's "Going Down," and the beautifully sad and wistful instrumental, "Definitely Maybe".