Taped for FM broadcast soon after the release of Herbie Hancock's groundbreaking "Man-Child" album. Recorded at Omaha Civic Auditorium, 17th November 1975.

Recorded at Boston Symphony Hall, January 26, 1972. Presenting the guitar genius of John McLaughlin, accompanied by Jan Hammer (keyboards), Jerry Goodman (violin), Rick Laird (bass) and Billy Cobham (drums), this remarkable set, performed live at Boston's Symphony Hall, MA on 26th January 1972, for broadcast on WNEW-FM radio a few months after the release of their innovative debut album, The Inner Mounting Flame - powerful and exhilarating.

Three young guys with disabilities want to go on a party holiday in Salou, just as their friends do. Only their parents block this idea. But then a caretaker, found on the internet, makes the dream possible. Adios Amigos is a remake of the Belgium movie Hasta La Vista.

Originally Broadcast By National Public Radio In 1988.Sun Ra & Arkestra, live from Petrillo Music Shell, Chicago Jazz Festival, Chicago, IL on September 3rd 1988. When Le Sony'r Ra, better known as Sun Ra, first moved to Chicago he famously took his epiphanic trip to Saturn. This legendary jam with the Arkestra, during the Chicago Free Jazz Festival, at Petrillo Music Shell on September 3rd 1988, broadcast on National Public Radio, shows the afrofuturist in all his glory. Performative, cathartic, and liberating, we are taken on a fantastical jazz journey.

When a beautiful, erotic content creator and aspiring nurse is seduced into a toxic relationship with a lonely, drug-addicted socialite, her life begins a downward spiral into the abyss.

Opening with "Three Time Loser," from Rod Stewart's post-Faces LP, Atlantic Crossing, this historic live show comes from the first solo tour Stewart had embarked upon after leaving the group he had attained his music industry fame with. His all-star band now featured former Vanilla Fudge/ Cactus drummer Carmine Appice, session keyboard John Jarvis (who had worked with Art Garfunkel and Ringo Starr), former Family guitarist Jim Cregan (who stayed on as Stewart's musical director and guitarist for almost 20 years), and Billy Peek, who had been the lead guitarist in Chuck Berry's UK touring band, among other engagements. • Stewart offers a healthy mix of solo hits with "You Wear It Well," "Tonight's The Night (Gonna Be Alright)," "Maggie May," and "The Killing Of Georgie (Pts 1 and 2), and Faces classics ("Stay With Me "). He also performs a selection of covers, among them The Isley Brothers' "This Old Heart Of Mine," Check Berry's "Sweet Little Rock 'N' Roller," Jimi Hendrix's beautiful ballad "Angel," and The Beatles' swansong rocker, "Get Back". Rod had departed from the Faces two years prior, but this show was very much still in the Faces-sounding tradition.

Father Javier lives a fractured existence: on one side, he helps families who've witnessed miracles, and on the other he belongs to a trio of excommunicated priests who hunt the possessed down to exorcise them under their own terms: with Bibles, fire and shotguns.

Nate Young and John Olson as Wolf Eyes have worked with pretty much everybody from alternative rockers like Sonic Youth and Andrew W.K. to fellow noise totems like Merzbow, Black Dice and Prurient or the experimental hip hop-adjacent duo Model Home, yet there are few artists as formidable or as apparently well suited to their sound as the legendary saxophonist Anthony Braxton, with whom they first collaborated at a music festival in Quebec in the spring of 2005. Braxton had reportedly cleared out their merchandise table a year earlier at a festival in Sweden upon his first introduction to the band, and at the Festival International de Musique Actuelle de Victoriaville the following May he found time to sit in on their set between his own scheduled performances with Fred Firth and his sextet, as part of an event curated by the Sonic Youth frontman Thurston Moore. The resulting album was released in 2006 as the critically acclaimed Black Vomit, with Olson stating ‘his language on the saxophone is just insane. There is nothing he can’t do on the horn. It was a perfect match’ while Braxton remarked Wolf Eyes to him ‘felt like family immediately. The communication was immediate’.

Tom, an over-worked husband and father, abandons his dead-end job to follow his dream of owning his own business. The only problem: he invested everything in a mechanic shop that has a lien in favor of his arch enemy and must now enter a dirt track race to win the prize money and save his family from ruin.

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