Michaela, an epileptic, enrolls in college to study education. She goes off her medication and soon begins hearing voices and seeing apparitions that tell her to avoid religious objects, although she is devoutly Roman Catholic. One priest scoffs at the idea that Michaela could be possessed by demons, but a younger pastor arranges an exorcism for the young woman.

When Casey and Henry celebrate their birthdays at the same restaurant, they make birthday wishes at the same time, which are granted. However, they end up getting each other's wishes.

The tale of an ordinary garden snail who dreams of winning the Indy 500.

He’s known universally as Australia’s King of Country, and it’s a title to which Slim Dusty can lay an unchallenged claim.
Slim Dusty has been recognised not only for his music, but also for the role he’s played in documenting Australia’s unique spirit and history through his songs, as well as his contributions to Australian culture and society. He received both an MBE and an Order of Australia, was chosen as an Australian National Living Treasure by public vote, and in 1999 was named both Australia’s Father of the Year and the inaugural Senior Australian of the Year. During his lifetime, Slim released more than a hundred albums, selling more than seven million records and earning over 70 gold and platinum album certifications. Running through this unparalleled catalogue is a rich seam of common themes; prominent among these is Slim Dusty’s songs detailing the world of trucking.

The funny thing about tributes to Eric Clapton is that Clapton has done them himself, and he would be the first to tell you that his career has been built on his attempts to emulate his own blues heroes, and that would be true to a point, but Clapton was wise enough, or maybe, at times, just lucky enough, to show how those players he loved could be translated into the electric age of rock, and he did it with a tremendous amount of raw elegance and style more often than not. This tribute set doesn't stretch things too far, and while cuts here like James Ryan's version of "Badge" and Brian Tarquin's version of "Sunshine of Your Love" are big, boisterous, and fun to hear, they work largely because of the original and defining riffs that Clapton devised to carry these songs in the first place. The real gem of the disc is a live, horn-filled take on "How Blue Can You Get" (listed as one of two "bonus" tracks here) by B.B. King. One imagines it would be the track Clapton would go to first, next, and last. King makes the song his. No one else here does that.

The church enlists a team of vampire-hunters to hunt down and destroy a group of vampires searching for an ancient relic that will allow them to exist in sunlight.