주간조선 – 08 5월 2023 (#2757)
한국어 | 74 pages | PDF | 51.8 MB
한국어 | 74 pages | PDF | 51.8 MB
Su | Mo | Tu | We | Th | Fr | Sa |
---|---|---|---|---|---|---|
30 | 1 | 2 | 3 | 4 | 5 | 6 |
7 | 8 | 9 | 10 | 11 | 12 | 13 |
14 | 15 | 16 | 17 | 18 | 19 | 20 |
21 | 22 | 23 | 24 | 25 | 26 | 27 |
28 | 29 | 30 | 31 | 1 | 2 | 3 |
Blues and roots singer and songwriter Sena Ehrhardt fronted a fresh new band and worked with a new producer, David Z., for Live My Life, her third album, and third for Blind Pig Records, but her approach, which is a varied mix of blues, blues-rock, soulful R&B, funk, and a touch of reggae, remains the same, which is a good thing. Her singing, which can range from sultry to gritty and back again, is as solid as always, showing why she is one of the brightest lights on the contemporary blues scene.
After their critically-acclaimed recording of Mahler’s Fourth Symphony, the Czech Philharmonic and Semyon Bychkov continue their Pentatone Mahler cycle with a rendition of the composer’s Fifth. The Fifth Symphony marks an important turning point in Mahler’s symphonic output, away from the prominence of vocal movements in his previous symphonies. And whereas the Fifth seems to follow a teleology from darkness to light like its predecessors, the trajectory is much less straightforward, and full of enigmatic turns. Bychkov’s exceptional eye for detail and pacing make him an ideal guide through this work, while the Czech Philharmonic is capable of letting all the colours of Mahler’s score shine.