Recorded during the second "Shelter Of Mine" Convention. Hybrydy, Warsaw, Poland (01.02.2020).

Decision intelligence (DI) has been widely named as a top technology trend for several years, and the Gartner Group reports that more than a third of large organizations are adopting it. Some even say that DI is the next step in the evolution of AI. Many software vendors offer DI solutions today, as they help organizations implement their evidence-based or data-driven decision strategies.

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Hyperion has brought together two fetching, large-scale pieces by Charles Villiers Stanford for its “The Romantic Violin” series. Both are mature works, written in 1888 and 1899 during Stanford’s “high noon”, when the Cambridge-based Irishman was winning acclaim at home and abroad as a leading British composer. The earlier Suite was written for his mentor, the great German violinist Joseph Joachim. It’s a piece of considerable beauty, both an homage to past musical styles and a tune-filled example of highbrow populism that repays multiple hearings. It begins with a nod to Bach’s solo violin music, and the titles of some movements (as well as their music)–such as Allemande and Tambourine–continue the Baroque-style tribute. Though longish (just shy of half-an-hour), it never overstays its welcome.

Individually, the members of the Manzanita Quintet have created astounding music in their associations with artists such as Kneebody, Dave Douglas, Ralph Alessi, Jerry Granelli, Art Lande, Beck, and so many more. These experiences inform their role as the inspired jazz faculty at the University of Nevada, Reno and in the music they create collectively. Along with Monk's "Bemsha" and Charlie Haden's "Silence," trumpeter Josh Reed, saxophonist Peter Epstein, pianist Adam Benjamin, bassist Hans Halt and drummer Andrew Heglund have crafted a set of modern, original compositions that alternately stretch and groove, roar and whisper, revealing the inventive, creative vitality they've brought to this stretch of the Sierra foothills.

r un decennio, dai primi tempi di “Orient Express” – sceneggiato da Brolli, dalla Canossa e infine da Cacucci – Baldazzini è stato fra i miei disegnatori italiani preferiti. Baldazzini - Ombre d'amore
In questo volume sono raccolte 7 storie brevi, in bianco e nero, – alcune apparse su “Glamour” e “Diva” – piene di quella qualità melodrammatica che rappresenta una dei caratteri inconfondibili dell’autore di Vignola.