At last, The Telescopes's first four EPs are compiled as Early Studio Recordings, a reissue of their studio recordings from 1989 to 1990. Not only that, but they have been remastered to achieve the deserved sound of this legendary British band leading the late '80s and early '90s shoe-gaze and melodic noise scene alongside the likes of The Jesus And Mary Chain. The Telescopes, with their leader Stephen Lawrie, recorded these EPs in the same period as their first album, Taste (1989).The band's sound is tons of guitar noise and distortion covering beautiful melodies; this music is an absolute must in order to understand all indie and underground music coming from the U.K. and worldwide afterwards.

Nefertiti, the fourth album by Miles Davis' second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes – but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this is mood music, since, like on much of Sorcerer, the individual parts mesh in unpredictable ways, creating evocative, floating soundscapes.

Upon its release, In A Silent Way was met by controversy among music critics, particularly those of jazz and rock music, who were divided in their reaction to its experimental musical structure and Davis's electronic approach. Since its initial reception, it has been regarded by fans and critics as one of Davis's greatest and most influential works.

Maggie Gently (she/her) is an indie/alt-rock artist based in San Francisco. Originally from New England, Maggie moved across the country for a girl (now, her wife), and in the process, fell in love with transitions, slowness, and California. Maggie Gently’s music is melody-driven and heartfelt — a big-city indie rock fascination with an unmistakable emo accent.

Tashi Wada's first new album in over five years is also his most surprising, comprising a set of elevated, poetic songs that draw from psych-rock, new age and ambient, leaving the tonally rich, avant-minimal drone he's most widely associated with to simmer in the background. It's gorgeous, subtly extravagant "Dream Music" - one for fans of Julia Holter (who appears here on vocal duties), Jim O'Rourke, Rafael Toral, Joanna Brouk, Terry Riley.

Harmonic Divergence is the perfect companion piece to Steven Wilson’s highly acclaimed 2023 album The Harmony Codex. On this very limited nine track release, music from the original album has been remixed and reimagined by Wilson, alongside longtime bandmates/collaborators and like-minded bands and producers. The result is a warped mirror image of the original, where oblique electronics are replaced by spidery gothic guitar riffs and cyclical piano tracks are mutated and transformed for the dance floor.

Charlie Mariano (1923-2009), a Boston native born to Italian immigrants, discovered his passion for jazz in the late 1930s after being inspired by Lester Young and Johnny Hodges. He quickly embraced the alto saxophone as his instrument and began jamming around Boston. Drafted in 1942, Mariano spent three years in an Army Air Corps band. Upon being discharged, he enrolled at Schillinger House to pursue his studies, but soon, influenced by the groundbreaking work of Charlie Parker and Dizzy Gillespie, he also immersed himself in Boston's vibrant modern jazz scene of the late 1940s, joining Ray Borden's orchestra and also performing at venues such as Hi-Hat, Wally's Paradise, and Eddie Levine's club.

Grief doesn’t have an endpoint. No matter how much time passes or how much healing you can muster, the absence stays ubiquitous. But with patience and care, you can endure and live with it. Sour Widows know this. The Oakland-based indie rock outfit was formed in 2017 by bandleaders and best friends Maia Sinaiko and Susanna Thomson during personal upheaval and tragedy: Sinaiko’s partner died and Thomson’s mother was diagnosed with cancer. Their bond and their band anchored them through this time and the songs they wrote processed the death surrounding them. Their debut album Revival of a Friend is resonant indie rock about the spiritually purifying power of connection and love in the face of loss. Across 10 winding and potent guitar-led tracks, they channel their mourning into solidarity and comfort.

The debauchery continues. Home Constellation Study’s opening track finds Asher White stumbling and drunk on an Amtrak she has snuck onto, crooning as the train races through post-industrial east coast cities. It’s a symbolic encapsulation of Home Constellation Study’s themes and sets the scene for what follows: an irreverent tone poem on mobility, passivity, home-making, environmental collapse, God, justice, romance, and luck, all set over the kaleidoscopic, home-brewed whirlwind of styles and sounds that has become the young producer’s signature.

Marsha Ambrosius is a GRAMMY-nominated, critically acclaimed singer-songwriter who is gearing up for her highly anticipated album, CASABLANCO. Executive produced by Dr. Dre, CASABLANCO is a combined mix of R&B, jazz and hip-hop which blends in a fulfilling and nostalgic soundscape that has the listeners wanting more.

In 1990, Eric Clapton performed 18 nights at one of his favorite venues - the famous Royal Albert Hall in London. During the 18 run of shows Clapton performed with three different line-ups: a rock band, a blues band, and an orchestra.

This boxset includes his final studio recordings for Atlantic Records, spanning from the 1970s, featuring previously unreleased outtakes of 'Big Alice', 'The Call' and 'Music For Todo Modo'. Mingus had two periods of recording with Atlantic Records, the first being in the 1950s and 1960s, and the second in the 1970s, which marked his last phase of music.

SAILIN' SHOES (DELUXE EDITION) opens with a newly remastered version of the original album, which introduced signature tunes like "Easy To Slip," the title track, and an updated version of "Willin'" a song that also appeared in 1971 on the band's eponymous debut.

From recordings taken between 1957 and 1966, this record highlights performances of Otto Klemperer conducting Mozart's Overtures & Eine kleine Nachtmusik with the Philharmonia Orchestra.

This album is a fascinating experiment. Schumann’s famous lieder cycle in a version for cello and guitar. The double album examines relationships between lovers, past and present, and the ephemeral space between humans and nature.