Jordi Molina, a leading instrumentalist in the world of the cobla and releases his fifth album Palíndrom. With Palindrom - a word that comes from Greek and means 'to go back' - the musician returns to the world of the cobla, after 1999, when he embarked on new paths.

An absolutely legendary album from Lebanon by Issam Hajali’s group Ferkat Al Ard, “Oghneya” stands out as one of the great musical gems of the Arab world. A groundbreaking release from 1978 that represents the meeting point of Arab, jazz, folk and Brazilian styles with the talent of Ziad Rahbani, who did the albums arrangements. Filled with a variety of sounds and genres, from Baroque Pop to Psych-Folk to flashes of Bossa Nova, Tropicalia and MPB, “Oghneya” is like if Arthur Verocai took a trip to Beirut in the 70’s to record an album.

Second in a series of reissues from Pierre Jaubert’s Parisound studio archive on Strut Record IS Lafayette Afro Rock Band's elusive funk/Afro original album, 'Soul Makossa' originally released in 1973. Transparent blue colored LP.

First in a series of reissues from Pierre Jaubert’s Parisound studio archive on Strut Record IS Lafayette Afro Rock Band's elusive funk/Afro original album, 'Malik,' originally released in 1974. Transparent blue colored LP.

The spirited New York City-based ensemble East of the River debuts on AVIE with Ija Mia: Music of the Sephardic Diaspora.

Swedish jazz phenomon Nils Berg Cinemasocpe is back with their sixth album - The music on this album is based on field recordings of musicians, singers and sounds from the streets and countryside of Punjab, India - Nils Berg Cinemacope is a group of highly acclaimed Swedish jazz musicians that has toured all continents and collaborated with musicians and dancers in Italy, Cuba, Japan and more.

Brazilian singer and composer Arthur Melo turns to the ‘70s & ‘80s, to the musical greats like Caetano Veloso and Milton Nascimento, channelling his love of director Brian de Palma and old detective films, and positioning himself amongst a new generation of contemporary musicians.

Makatumbe regularly goes on treasure hunts for musical gems. The traditional-sounding melodies found or invented are packaged into modern dance grooves and peppered with many of our own sound ideas. The unusual line-up makes you sit up and take notice: vocal acrobatics à la beatbox, raggamuffin and overtone singing meet accordion and clarinet, drums and bass form the driving and grooving basic structure. On stage the band presents a very wide spectrum: from cumbia, reggae (sound) and hip-hop to Balkanesque and oriental to techno. What unites the band's sound is the explosive energy of the musicians. No dance stays still. At the finale of the creole festival 2017, Makatumbe won both the award for outstanding musical diversity and the audience award with his colorful palette and sparkling enthusiasm.

All 37 songs from Europe's favourite TV show contest together on this official compilation. This 68th edition of the competition will take place in Malmö, Sweden, in May.

An all-time classic recording that marked Salsa music history. Willie explores various influences from African to traditional Latin in this perennial classic featuring Héctor Lavoe and an all-star band with Fania mainstays Jose Mangual, Milton Cardona, Prof. Joe Torres and more. The unique album artwork designed by Izzy Sanabria is also widely recognized as one of the more risqué covers depicting an FBI wanted posted with a Colón mugshot that stirred controversy in its day.

Avalanche Kaito: the exhilarating combination of Burkina Faso born urban griot Kaito Winse and fellow experimentalists Belgian guitarist Nico Gitto and French drummer/producer Benjamin Chaval. This transnational avant-rock trio created waves with their visceral self-titled 2022 debut, bagging notable festival appearances (Supersonic, End of the Road), a KEXP session and much deserved critical and audience enthusiasm.

After many years of study with master musicians around the world, Itzhak Ventura explores the sound of the ney (Middle Eastern end-blown reed flute) as part of his contemporary quartet. Aligned, his debut release, unfolds his personal story with heartfelt and virtuosic musicianship.

The year 1970 , marked an era that was dependent on the Cuban genre; however, Harlow kicked in the decade of modern salsa with this wonderfully eclectic sound. There is energy to spare in one of the earlier forms of Harlow's breezy, rambunctious '70s style. Twenty-year-old Ismael Miranda grabs honors on several self-penned tunes: the title song, "Abandonada Fue," and "Oigan Bien Mi Guaguancó" were all strong staples of Harlow's band's book. Harlow, Miranda, and his associates were among the leading New York salsa catalysts who helped to break the Cuban mold and helped push the music into newer directions. One of the key salsa records of 1970.

Durban-based gqom futurists Phelimuncasi continue unpicking their musical seams on this latest borderless statement, teaming up with Metal Preyers to venture further into the desolate unknown. The group met up in Nyege Nyege's Kampala studio last year, where they spent three days engineering a sequence of tracks that turned the acts' respective sounds inside out, stretching urgent vocals over mutating backdrops of time-stretched electronic drums, saturated noise and unstable synths.

For Los Guayabo Brothers, we can say that they are one of those groups that approach of the heritage of Latin American/folk/Afro and world music, adding some of their own touch and an expressive step forward. In any case, it is not an easy task, but this team of musicians, whose performing energy is evident, expand expressive research in their own way, giving their music an authentic stamp.