From Switzerland, the home of many well-known hard rock bands such as Krokus, Gotthard, Shakra, we are pleased to welcome ROCK-OUT: Four men, their instruments, enough electricity - and off you go!

This cross-genre oratorio for chorus, soloists and chamber orchestra draws from sacred music, contemporary classical, jazz, gospel and klezmer traditions.

Martin Jones (born 4 February 1940 in Witney, England) is an English concert pianist. He studied at the Royal Academy of Music in London under Guido Agosti, Guy Jonson, and Gordon Green.

Record Store Day 2025. Live On Tour was recorded at the Agora in Cleveland on December 18, 1978 and published as a promo LP for radio broadcast in 1979. Recorded on the More Songs About Buildings and Food tour, the promo release was never officially released commercially to the public. This is the first official release of the full show, fully remastered from the original analog tapes and features one previously unreleased track. 2LP set cut at 45rpm.

When you have a voice as pure as Cleo Sol’s, you can sing about nearly anything and have it sound otherworldly. Sol, however, doesn’t take lightly the responsibility of her instrument, treating each opportunity—both in and outside of her role as lead vocalist for Sault—as an opportunity to spread joy, foster hope, and offer up praise to the most high. Sault’s mission across 10—actually their 12th full-length project—lies squarely inside those ramparts, with Sol working alongside the group’s production engine, Inflo, alongside a slew of other collaborators (dancehall singjay Chronixx, legendary bassist Pino Palladino, rising pianist NIJE) to offer a balm for increasingly trying times.

Mastered directly from the original analog tape to Direct-Stream-Digital. Charles Mingus' 1962 Studio Album Oh Yeah Reissued as Part of the Atlantic Records 75th Anniversary Series on Hybrid Stereo SACD. After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah, which AllMusic says has to rank as the wildest of all his classic albums. Mingus displays all of his vigorous jazz feeling on this album; he plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while shouting encouragement on nearly all of them).