The core of Juliusz Luciuk's musical oeuvre are religious vocal and instrumental works, piano compositions, and great stage works.

The album contained in this box set were conceived and produced as part of the project "Il mandolino a Napoli nel Settecento”, coordinated by the University of Bologna in collaboration with the University of Uppsala and the Neapolitan Mandolin Academy.

"Surfer Rosa" is the debut full-lenght studio album by the American alternative rock band Pixies, released in March 1988 on the British label 4AD. It was produced by Steve Albini. The album contains many of the elements of Pixies' earlier output, including Spanish lyrics and references to Puerto Rico. It includes references to mutilation and voyeurism alongside experimental recording techniques and a distinctive drum sound. "Surfer Rosa" is often included on critics' lists of the best rock albums.

This lush, cinematic collection of ballads and bossa nova tunes - Krall’s best-selling album -finds the Grammy-winning vocalist backed by the London Symphony Orchestra, making for a sound that recalls Swing era jazz, but with a modern twist. Featuring an all-star cast of musicians, including guitarist Russell Malone, legendary percussionist Paulinho Da Costa, bassist Christian McBride and drummer Peter Erskine.

Saxophonist Ben Webster is joined by legendary jazz pianist Oscar Peterson. Webster, known for his association with Duke Ellington's Jazz Orchestra playing lead tenor, frequently played with Peterson in the 1950s and are joined here by some of the best jazz musicians of the time. Ben Webster Meets Oscar Peterson was originally released in 1959, and this studio album is a compilation of seven great jazz tracks, including "How Deep is the Ocean," "In the Wee Small Hours of the Morning," and "Bye, Bye, Blackbird".

"Engines of Creation" is guitarist Joe Satriani's eighth album that was originally released in 2000. The record peaked at number 90 on the Billboard 200 chart, remaining there for three weeks. This was a different album for Satriani, he backed away from his typical blues/rock sound and decided to venture into the realm of electronic music. "Until We Say Goodbye", the single on "Engines of Creation", was nominated for Best Rock Instrumental Performance at the 2001 Grammy Awards.