"Not of This Earth" is the debut studio album by guitarist Joe Satriani. When Joe Satriani released this album, he stated that his goal was "to make a 'guitar-record- that would be enjoyed by all; not just a 'guitar-chops-record' but one with real music on it". Remastered by John Cuniberti, analog mixes are 30ips 1/2" tape, transferred and mastered to digital at 96/24.

Strange Beautiful Music is the ninth studio album by guitarist Joe Satriani, released on June 25, 2002 through Epic Records; a Super Audio CD edition was released on September 10. The album reached No. 140 on the United States Billboard 200 and remained on that chart for a week, as well as reaching the top 100 in four other countries. "Starry Night" received a nomination for Best Rock Instrumental Performance at the 2003 Grammy Awards; this being Satriani's twelfth such nomination. The title of Strange Beautiful Music is also the name of Satriani's publishing company.

"Crystal Planet" is the seventh studio album by guitarist Joe Satriani, released on March 3, 1998 through Epic Records. The album reached No. 50 on the U.S. Billboard 200 and remained on that chart for eight weeks, as well as reaching the top 100 in five other countries. "Ceremony" was released as a single, reaching No. 28 on Billboard's Mainstream Rock chart and notably featuring Satriani's first recorded use of a seven-string guitar, namely the Ibanez Universe. "A Train of Angels" was nominated for Best Rock Instrumental Performance at the 1999 Grammy Awards; this being Satriani's ninth such nomination.

"Shockwave Supernova" is guitarist Joe Satriani's fifteenth studio record. The Legacy Recordings album features bassist Bryan Beller, multi-instrumentalist Mike Keneally, and The Aristocrats' drummer Marco Minnemann. All songs were written and arranged by Joe Satriani.

"Flying in a Blue Dream" is Joe Satriani's third studio album and was originally released in October 1989. It was one of Satriani's most popular albums, peaking at #23 on the US Billboard 200 chart and staying on the chart for 39 weeks. The album was certified Gold in January 1990 and was nominated for Best Rock Instrumental Performance at the 1991 Grammy Awards, Satriani's third nomination. Four singles from the album charted on the Billboard Mainstream Rock chart: "Big Bad Moon" (#31); "One Big Rush" (#36); "Back to Shalla-Bal" (#17); and "I Believe" (#17). Remastered by John Cuniberti, analog mixes are 15ips Dolby SR, transferred and mastered to digital at 96/24.

"Surfing with the Alien" is Joe Satriani's second album and one of his most successful albums to date. Originally released in 1987, it peaked at #29 on the Billboard 200 chart and stayed on the chart for 75 weeks. The album was nominated for Best Rock Instrumental Performance and Best Pop Instrumental Performance Grammy awards in 1989, and was certified platinum in February 1992, Satriani's only release to do so. Remastered by John Cuniberti, analog mixes are 30ips 1/2" tape, transferred and mastered to digital at 96/24.

Engines of Creation is the eighth studio album by guitarist Joe Satriani. The album reached No. 90 on the U.S. Billboard 200 and remained on that chart for three weeks, as well as reaching the top 100 in three other countries. "Until We Say Goodbye" was released as a single and received a nomination for Best Rock Instrumental Performance at the 2001 Grammy Awards.

"Professor Satchafunkilus and the Musterion of Rock" is the twelfth studio album by guitarist Joe Satriani, released in April 2008 through Epic Records. The album reached No. 89 on the U.S. Billboard 200 and remained on that chart for two weeks, as well as reaching the top 100 in four other countries. The album's title has two meanings: the first part is a homage to Satriani's nickname of "Satch", while "Musterion" is a Greco–Biblical word meaning "hidden thing", "secret", or "mystery".

"Joe Satriani" is the self-titled sixth studio album by guitarist Joe Satriani, released in October 1995 through Relativity Records. The album reached No. 51 on the U.S. Billboard 200 and remained on that chart for seven weeks, as well as reaching the top 100 in four other countries. The album is a slight departure from Satriani's previous instrumental rock stylings, instead showcasing a more laid back, blues-laden sound with less reliance on effects and overdubs.

Is There Love in Space? is the tenth studio album by guitarist Joe Satriani. The album reached No. 80 on the U.S. Billboard 200 and remained on that chart for two weeks, as well as reaching the top 100 in three other countries.

"Engines of Creation" is guitarist Joe Satriani's eighth album that was originally released in 2000. The record peaked at number 90 on the Billboard 200 chart, remaining there for three weeks. This was a different album for Satriani, he backed away from his typical blues/rock sound and decided to venture into the realm of electronic music. "Until We Say Goodbye", the single on "Engines of Creation", was nominated for Best Rock Instrumental Performance at the 2001 Grammy Awards.

"The Extremist" is Joe Satriani's fourth studio album and was originally released on July 17, 1992. The album garnered Satriani his fourth Grammy nomination, once again for Best Rock Instrumental Performance. "The Extremist" peaked at #22 on the US Billboard 200, remaining on the chart for 28 weeks. Three singles charted on Billboard's Mainstream Rock chart: "Friends" (#12); "Summer Song" (#5); and "Cryin'" (#24).

"Unstoppable Momentum" is Joe Satriani's fourteenth studio album and was released on May 7, 2013. It peaked at #42 on the US Billboard 200 and was produced by Joe Satriani and Mike Fraser.

"Strange Beautiful Music" is the ninth studio album by guitarist Joe Satriani. The album reached No. 140 on the United States Billboard 200 and remained on that chart for a week, as well as reaching the top 100 in four other countries. The title of Strange Beautiful Music is also the name of Satriani's publishing company.

"Time Machine" is an excellent album providing something for just about everyone who's interested in Joe Satriani's music. It was recorded between 1984 and 1993 at various locations and was produced by Joe Satriani, John Cuniberti, and andy Johns. The album peaked at #95 on the U.S. Billboard 200, eventually being certified Gold by the RIAA in 1994. Analog recording, analog 30ips 1/2" mix, transferred and mastered to digital at 96/24 by John Cuniberti.