Marco Pütz gained international recognition after winning awards for his compositions in the mid-1990s.

Die beiden führenden Opernkomponisten ihrer Zeit waren Rossini und Auber, der eine heute gefeiert, der andere weitgehend übersehen.

Whitehorse is the prolific partnership of Melissa McClelland and Luke Doucet. Uninhibited by expectation, boldly adventurous and categorically talented, Whitehorse's signature sound is always guitar-heavy, harmony-plentiful and lyrically deft. "I'm Not Crying, You're Crying" shows Whitehorse venturing deeper and further into Americana/country sounds and stylings than ever before. A twist on the 'pandemic' album, Whitehorse distilled and transcended the gloom and uncertainty with a collection of classic country poetry about heartbreak (not just romantic) and loyalty. The songs are playful yet profound, masterfully simple and timeless. When everything was stripped away, this turn to the universality and simplicity of classic country was the answer. With I'm Not Crying, You're Crying, Whitehorse venture deeper into country music than ever before, a move that is both a homecoming and an evolution of their sound.

‘Polarity’ is the first in a three album series reflecting on the many calamitous water crises affecting life on this planet.
Fifty percent of the sales for the three album series will be donated to communities that are at the front line of these crises, in perpetuity.

Combining Rachael Price's singular voice with Vilray's knack for songwriting, the album showcases Rachael & Vilray's evolution, pushing them to a new level as they jump ahead in vision and drive. The duo has keenly absorbed the work from their jazz predecessors, taking the best of the past and creating something new.

'Turn the Car Around' is a record that I've been building up to for the last seven years', says Coombes. It's a record of feeling, an album that captures the ups and downs of modern life and all the small print in between. Written and recorded by Coombes in his gloriously ramshackle Oxfordshire outhouse Studio, he has emerged with the best work of his illustrious career.

Belle and Sebastian hit the ground running in 2023 with new album Late Developers.

In the annals of 21st century alternative rock history there are few artists who cast a longer or more peculiar shadow than Finnish Love Metal pioneer Ville Valo.

The brilliant Cohen tribute album skillfully combines Leonard Cohen hits with early music A great modern singer-songwriter, a "troubadour," he passed away in 2016. This program, is a tribute to his art, and provides a link to French Renaissance chanson.

James Yorkston works once again with Karl-Jonas Winqvist's The Second Hand Orchestra. Following the spine-tingling, atmospheric folk of 2021's 'The Wide, Wide River', they involve a third party in the shape of The Cardigans' Nina Persson on 'The Great White Sea Eagle', and once again all of Yorkston's collaborators recorded in few takes, learning the material ad hoc in the studio.

This latest MarchVivo release is a remastering of the concert given by Benjamin Alard at the Fundación Juan March on 1 February 2020 as part of a series entitled The Couperins at the harpsichord.

The magical music of Brazilian composer/guitarist/pianist Egberto Gismonti has enchanted generations of listeners. His celebrated blend of folkloric, jazz, and popular music has stationed Gismonti in the pantheon of Brazilian music. Composer/arranger Gaia Wilmer fell under Gismonti’s spell as a youngster and now honors him with her new large ensemble recording, Folia.

Produced by Margo Price and Jonathan Wilson (Angel Olsen, Father John Misty), Strays was primarily recorded in the summer of 2021, during a week spent at Fivestar Studio in California’s Topanga Canyon.

"Propelled by the inhuman vocals of John Tardy, the obscenely brutal guitar tone of Trevor Peres and rhythmic brilliance of drummer Donald Tardy, Obituary redefined heaviness throughout the 1990s.

"Smother" is the third studio album by British indie rock/dream pop band Wild Beasts released in 2011 by Domino Records. It reached #17 in the UK Albums Chart. According to the band, it represents a more synthesiser-based sound than previous efforts, influenced by "moving to Dalston", Brazilian writer Clarice Lispector, minimalist composer Steve Reich, noise pop duo Fuck Buttons, and Mary Shelley's book, Frankenstein. They've kept their distinct sound intact: oscillating falsetto and baritone vocals, lyrical wit, and a penchant for seedier topics. However, this album incorporates rich electronic textures and a subtlety of melody not heard in their earlier work. Wild Beasts fans will not be disappointed.