A collaboration between Yes singer Jon Anderson and other like-minded musicians, In Elven Lands is a celebration of the mythical worlds of J.R.R. Tolkien, featuring an imagining of Elvish music using medieval instruments, early music techniques, and Elvish and Anglo-Saxon lyrics. There's also a cover of Led Zeppelin's "The Battle of Nevermore," done in typically archaic style.

Searching for a way to retool their sound, Judas Priest attempted to accentuate their melodic side on Turbo by incorporating synthesizers and '80s pop-metal stylings ("Wild Nights, Hot & Crazy Days" sounds more like Poison (albeit with synths). The restrained songcraft sometimes pays dividends, especially on the PMRC-bashing "Private Property" and "Parental Guidance," and the synth-driven leadoff track "Turbo Lover," the latter of which is easily the best song on the record, and a successful reimagining of the Priest formula. But often, the band simply sounds directionless, unsure of exactly which path to accessibility it should follow; moreover, the synth-guitar backing and overly polished production give the album an oddly mechanized, processed feel…