Before hitting her stride with 1974's "Caught Up", Millie Jackson delivered this tasty disc of uptown Southern soul. Both Stax raw and Philly International slick, It Hurts So Good percolates with smoky horns, snaking guitar lines, electric piano, strings, and bluesy funk grooves. In addition to her usually provocative take on relationships (both in the home and at the dark end of the street), Jackson - via Curtis Mayfield - delivers the affecting ghetto laments "I Cry," "Hypocrisy," and "Two-Faced World." And while some of the charts are a bit lacking, Jackson is solid throughout, especially on slow-burners like "Good to the Very Last Drop." A fine early offering from the diva of salacious sass.

Composed in 1888 the Fifth Symphony is generally considered to be the most attractive of Tchaikovsky’s major works. When he first began writing the symphony he was suffering from a deep depression. However, he moved to the countryside and his state of mind became much more relaxed, enjoying the peace and quiet, gaining a new-found pleasure from his garden. This E minor Symphony reflects all the violent and conflicting emotions that he was experiencing at the time of its composition.

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New York, 1929, a war rages between two rival gangsters, Fat Sam and Dandy Dan. Dan is in possession of a new and deadly weapon, the dreaded "splurge gun". As the custard pies fly, Bugsy Malone, an all-round nice guy, falls for Blousey Brown, a singer at Fat Sam's speakeasy. His designs on her are disrupted by the seductive songstress Tallulah who wants Bugsy for herself.

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The Fourth Symphony was written at a particularly crucial point in Tchaikovsky’s life. 1877 was not only the year of his disastrous marriage but also the year in which he began his fifteen-year correspondence with his patroness Nadezhda von Meck. The F minor Symphony has always been a popular work with its muscular and melodic writing. Infused throughout the score is the sense of ‘fate’ which Tchaikovsky believed controlled his destiny as he described in a letter to Madame von Meck, “the fateful force which prevents the impulse to happiness from achieving its goal … which hangs above your head like the sword of Damocles.”

Au cœur des Terres Légendaires des Temps Jadis, Orgies Barbares narre les aventures de sorcières, mages, mercenaires, inquisiteurs, créatures maléfiques, voleurs et autres brigands, à la recherche de justice ou de fortune selon leurs prédispositions. Tous ont un point commun : ils considèrent que le pouvoir des passions érotiques est une arme bien plus puissante qu'un sortilège ou une épée acérée.