Billy Thorpe is one of the enigmas of Australian music, a man of many careers. It began in Brisbane when the young Thorpe was overheard by a television producer playing his guitar and singing at the back of his parents' Brisbane store. At the age of ten he was appearing regularly on Queensland television and appearing on the same stage as many of the top artists of the day. When he was 17 he moved to Sydney as a solo country/pop singer just as the Beatles were breaking. Always one to recognize opportunity knocking, Thorpe teamed up with instrumental band the Aztecs and together they became one of the first Australian groups to contribute to the new '60s era of pop, in June 1964 scoring a huge national hit with their version of the Rolling Stones' version of "Poison Ivy."

Livre d’évocations s’attachant par flashs à la vie et à la carrière de Serge Reggiani, cette biographie feuillette l’univers du comédien chanteur pour y trouver les heures et les images les plus marquantes qui restent à la mémoire des Français.

The Driver:

Ahead he could see only the stretch of unending road, on either side brown-scorched plains of dirt and scrub, above it all a soaring blue sky and blinding sun. Desolation that looked, to him, a hell of a lot like freedom. He wasn’t playing by anyone’s rules anymore.

From the final drum'n'bass pioneer to release a full-length, Roni Size's New Forms could well be the best. Though it's slightly bloated at two full discs, and slightly overhyped due to its winning Britain's Mercury Prize, New Forms was the major statement on drum'n'bass, barring only Goldie's Timeless. Size's prime asset is his unique style – tough, careening breakbeats and metallic time-stretched effects over the organic, elastic sounds of upright bass and other jazzy add-ons. He also has a knack for deft pacing; though many of his productions test the seven-minute mark, he plays around with the beats so much that no track ever grows boring. On the title track, he weaves two sets of female vocals – American rapper Bahamadia and resident Reprazent diva Onallee – into the mix, digitally syncopating Bahamadia's rap into the production with complete precision. The constantly retriggering breakbeat on "Matter of Fact" makes it another highlight, and Size's transition from the atmospheric "Heroes" to a raging breakbeat storm like "Share the Fall" (both are Onallee features) is astonishing. Yes, Size's production clout is much more apparent on the first disc than the second, but New Forms is laced with so much genius it's worth the price of two discs to own all the excellent productions inside. [A four-CD 20th Anniversary Edition of New Forms was released in 2017, featuring the remastered album plus B-sides on the first two discs; remixes from the likes of Photek, Grooverider, and Peter Kruder on the third disc; and a "live hardware mix" of the album on the fourth disc, featuring previously unreleased edits and remixes by artists including Grooverider, Source Direct, and Krust.]

A bizarre accident lands Frank Harris in Cool World, a realm of cartoons. Years later, cartoonist Jack Deebs, who's been drawing Cool World, crosses over as well. He sets his lustful sights on animated femme fatale Holli Would, but she's got plans of her own to become real, and it's up to Frank to stop her.

The folk music of the Baltic peoples can be traced back to pagan times whereas the development of their art music did not start until around 100 years ago. Every country has it's own founding fathers where music is concerned: the Estonians admire Heino Eller and the Latvians Jazeps Vitols as the founder of their respective national music culture. Arvo Part was one of Eller's students. The founding figure of Lithuanian art music and art is Mikalojus Konstantinas Ciurlionis, who created fugues and sonatas as well as symphonic poems, music for piano, and choral works. This is the ninth and last installment of the SWR Vokalensemble series dedicated to musical portraits of different countries and the last release with it's chief conductor Marcus Creed. The SWR Vokalensemble is internationally renowned as one of the best choirs for modern a cappella repertoire, it's performances are characterized by exquisite mastership.

An aging hairdresser escapes his nursing home to embark on an odyssey across his small town to style a dead woman's hair for her funeral, rediscovering his sparkle along the way.