The programme on this release is completed by the arrangement for flute and piano of the slow movement from the Piano Concerto No. 1 in C major, Op. 15, a work Beethoven composed in 1798 and first published in 1800.

Josh Turner returns with his new studio album, Country State Of Mind. The 12-track record highlights some of Turner's favorite Country Classics, and features guest appearances from John Anderson, Kris Kristofferson,

Echoing with the eerie reverberations of heavyweights like Sabbath and Pentagram mixed with the classic rock of Zeppelin and Pink Floyd, Brimstone Coven has created their own contemporary vintage vibe. Hailing from eastern Ohio, the band released two albums on Metal Blade during the first half of the 2010s before revamping their lineup in 2017. Following several tours and the self-released “What Was and What Shall Be,” the band joined forces with Ripple to create their darkest sounding album to date. Despite the foreboding aesthetic of “Woes of a Mortal Earth,” the future for Brimstone Coven has never looked so bright.

From the anthemic, space-coveting single "Blast Off" to the kicky and cowbell-loving energy of "Star," PSYCHLONA pack a massive punch and sense of cool throughout their sophomore album. Nod along, fuzz fiends, to the irresistable groove of their chunky, desert-worshipping anthems, and get yourself a one-way ticket for a 'Venus Skytrip.’

Simone is the first album of the band Rue de Tanger. Led by double bass player Pierre-Yves Le Jeune, the trio presents a unique blend of french traditionnal accordion and oriental rhythms. While being part of current modern jazz trends, Rue de Tanger stands out for the originality of its influences and the strength of its discourse.

When Old 97’s singer Rhett Miller was a kid in the Seventies, he worshipped Roger Staubach, the quick-on-his-feet quarterback of the Dallas Cowboys. Staubach was so much of a figure in Miller’s life that he even haunted his subconscious.

Anthony Dominick Benedetto (born August 3, 1926), known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz.

Armide, premiered in 1686, was the last joint work of Lully and the poet Philippe Quinault. It immediately became a pillar of the Opéra's repertory, which it finally left only in 1766, when it was removed to make room for a new wave of composers, Philidor, Grétry, Gossec and soon Gluck.

“Houle has documented a pretty broad spectrum of work, from 20th century interpretations to chamber/modern jazz and ethnographically inspired improvisation….Genera is a very fine record that displays excellently Houle’s writing and the ability of his chosen ensemble to both strut their stuff and express [his] vision.”

In 2018, Tucker Beathard had recently gotten out of a record deal and was determined to make music on his own terms. He teamed up with a group of his favorite co-writers, and poured his frustrations and musical ambitions into a hefty batch of songs.

This is a very satisfying account of ‘Die Zauberflöte‘, principally on account of Böhm’s handling of the score. He inspires the Berlin Philharmonic to convey a Masonic ‘gravitas’ which is in keeping with the philosophy of Enlightenment Reason which lurks behind the pantomime elements of this unusual work. You will certainly find deliberate speeds here, which may not be to your taste if you like fleet, revisionist, original-instrument Mozart. Vocally it’s the women in this recording that have had a bad press: but Evelyn Lear has some lovely tones in her voice even if there are occasions when Pamina’s music presents her with challenges.