During the band's heyday in the late '70s and early '80s, Black Uhuru was one of the most unique and influential reggae bands in the world. This was partly due to their distinctive vocal sound - which was dominated by the keening wail of Michael Rose and the haunting harmonies of American expatriate Puma Jones - but in large part it was also due to their backing band, which was led by the legendary drum-and-bass duo of Sly Dunbar and Robbie Shakespeare.

Although not exactly a household name in the U.S., Poland's SBB (short for either "Silesian Blues Band" or "Szukaj, Burz, Buduj") were a renowned act in their homeland during the 1970s. Like the majority of emerging '70s rock acts before punk's arrival, SBB were prog-based, and after spending much of the 1980s on hiatus, the group picked up right where it left off with sporadic reunions during the '90s and early 21st century. Released in 2005, New Century (issued as a DVD audio release) is exactly what you'd expect from the band: lush arrangements and soaring vocals merged with a polished/mainstream rock edge – with half the lyrics sung in English and the other half in Polish.

Reach for the Truth: Best of the Reprise Years 1971-74. Generously packed with 23 tracks including one previously unreleased selection (a closing acoustic demo version of "Red Light Ladies," the tune that also opens the album), rare photos, extensive liner notes, and track-by-track descriptions from Lewis in the 24-page book, it's hard to imagine a more perfect single-disc representation of her material from these years.

London '66–'67 is an EP and film of Pink Floyd music, containing two "lost" tracks—an extended version of "Interstellar Overdrive" and a previously unreleased track "Nick's Boogie".
These tracks were originally recorded for Peter Lorrimer Whitehead's film Tonite Lets All Make Love in London in 1967, and the former appeared in edited form on the soundtrack album.
Originally released in full on the 1990 See for Miles Records UK reissue of the soundtrack album, they were the earliest Pink Floyd recordings available commercially.

Bloodstone's only full length album, "Valley Of The Machines", came out on the doomed Long Island Records in 1995. The mid-90s was the WORST time in hard rock history for a band like Bloodstone to release a historic treasure of 80s metal stylings. Deeply rooted in the traditional essence of groups like Dio and Sabbath, the band felt the need to sprinkle hard rock seasoning to the brew, mixing in elements of bigger arena acts such as White Lion, circa "Fight To Survive" and Ratt. The metal act was skipped over by fans however, who at the time were emptying out their wallets for garage grunge acts like Nirvana, Pearl Jam, and Soundgarden instead. After releasing one album and an EP, "2,000 Down The Line", Bloodstone disappeared from the stages and the shelves.

The Best Blue Note Album in the World Ever may boast a silly title, but it's hard to argue with what's on this double-disc sampler. Not all of the label's greatest artists are here, but everything is representative, showing how hard bop like John Coltrane's "Blue Train" and Lee Morgan's "The Sidewinder" coexisted with soul-jazz from Grant Green ("Born to Be Blue"), Jimmy Smith ("Back at the Chickenshack"), and Horace Silver ("Song for My Father"). It is true that US3's "Cantaloop" sounds distinctly out of place here and that the latter-day stuff, no matter how good it is, isn't quite as magical as the classic era, but there's no denying that The Best Blue Note Album in the World Ever provides a lot of bang for the buck. – Stephen Thomas Erlewine ~

'emails i cant send' is the fifth studio album by American singer and songwriter Sabrina Carpenter, released on July 15, 2022. It is Carpenter's first studio album with the label. The album spawned five singles 'Skinny Dipping', 'Fast Times', 'Vicious', 'Because I Liked a Boy' and 'Nonsense'.

Now here's a band that could separate irk from quirk if you tend to keep your sounds squarely traditional. Surf Punks meets Oingo Boingo meets Zappa, maybe? Commissioned (!) by Belgium's De Wert Brogge, the profoundly-titled Surf, Wind & Desire is a sequence of humorous vignettes focusing on various aspects of beach culture and marine life. Hardscore's music parallels the lyrical goofiness of principal composer and marimba player Frank Nuyts without sounding avant for avant's sake. The quasi-epic "The Creep From The Deep" is sonic performance art, a comical chronology concerning the biological and social evolution of one Chuck The Fish. "Kite Control" and "Cod" are titled bluntly to cloak their surprises from the casual listener. Speaking of Nuyts, he and saxophonist Frank Debruyne slow-roasted this feast; the text reads like prose yet nearly every song can be blocked out in abba, abab or aabb (the most obvious exception being "Burnin' Off Love), certain wordings resembling the handiwork of arch-hedonist Ty Webb, probably penned while getting toasted in front of his Casiotone.

This newly remastered 6CD, 66 track collection brings together a collection of Michael Schenker material, recorded from 1979 - 1983. A turbulent time for Michael, following his exit from UFO via Scorpions. Featuring the studio albums Michael Schenker Group, MSG, Assault Attack, Built to Destroy (both UK and US versions) as well as a disc of Demos & Alternative Versions featuring the entire 1979 demo tape, rare monitor mixes and single versions and a disc of completely unreleased material, with early studio takes and rough monitor mixes.

HIGH WHEEL's history begins in late-80's ,when Wolfgang Hierl and Erich Kogler set themselves apart from the thrash metal scene and their band ''The Hammers'',searching for more melodic and refined musical paths. Their new project would never become true,if they hadn't met excellent drummer Uli Jenne and after a few rehearsals they decided to form officially a new progressive rock act. With the addition of Andreas Lobinger on keyboards their debut ''1910'' came out in 1993 as a private press,recorded at Tonstudio Rixner near Tegernnsee.

ART NATION is a melodic hard rock/AOR band from Sweden and it could easily be the next big thing from this country!! After the solid debut "Revolution" in 2015, Art Nation comes back with a new opus which is entitled "Liberation". "Liberation" includes all the things that we loved from the debut plus a catchier and more in-your-face sound that will make a big impact to this scene.

BIG SHOT was formed in the early 1990’s under the name of the Deryle Hughes Band. The original members were Deryle Hughes on vocals, David Mikeal on keyboards and guitar, Paul Drennan on bass, Angelo Janotti on guitar and Tommy Scott on drums. The group immediately started performing higher profile live dates. Unfortunately, Tommy left the group early on and Sean Shannon took over on the drums.

MelodicRock Classics deliver another forgotten classic from Canada – GNP’s 1989 album ‘Safety Zone’. The band featured former Saga members Jim Gilmour (Keyboards) and Steve Negus (Drums), looking for a more straightforward AOR direction on this, the only album GNP recorded. Saga are of course one of Canada’s most loved prog-rock groups. GNP was formed together with vocalist Robert Bevan in 1986, but it wasn’t until 3 years later the album was released.

Covered, A Revolution in Sound is a tribute album produced and released by Warner Bros. Records to commemorate its 50th anniversary as a record label. The album consists of some of the greatest hits from previous and current artists from the late 20th century, while the songs featured on the album themselves are performed by current artists that are signed to Warner Bros. Records. Warner's sister label Elektra Records had done something similar to this nearly 20 years before with an album titled Rubáiyát: Elektra's 40th Anniversary, which featured then-current Elektra artists covering other songs originally released on Elektra or sister label Asylum Records.