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It is an important moment in the life of a singer when she is able to confront the standard repertory. After years spent studying theatre and music in Shakespeare’s England under the guidance of musicologist Philip Brett, Jill Feldman recorded two programmes of Henry Purcell’s music in 1992, reissued here as a double CD.
August 18th marks the 100th anniversary of th e 19th Constitutional Amendment, granting women in the US the right to vote. A fitting time then for our release of the World Premier Recording of Ethel Smyths late masterpiece The Prison. Smyth left home at nineteen to study composition in Leipzig. In the company of Clara Schumann and her teacher Heinrich von Herzogenberg, she met and won the admiration of composers such as Tchaikovsky, Brahms, Dvoák, and Grieg. Smyth was the first woman to have an opera performed at the Met, in 1903.
In Jepht by Michel Pignolet de Montclair, Gyrgy Vashegyi directs with style and energy another riveting account of a neglected French Baroque opera. The work, based on the Biblical tale of a conquering general obliged, by a sacred vow, to sacrifice his own kin, became an immediate success in 1732, indeed a fixture in opera life in France, receiving over a hundred performances at the Opra alone in the three decades following its premire. Montclair and his librettist Pellegrin were open to preparing revised versions of the opera and it is the third and conclusive edition which has been worked on by the Centre de Musique Baroque de Versailles and recorded by Vashegyi and his musicians.