The Library of Lost Dollhouses: A Novel by Elise Hooper
English | April 1, 2025 | ISBN: 0063427575 | True EPUB | 320 pages | 1.7 MB
English | April 1, 2025 | ISBN: 0063427575 | True EPUB | 320 pages | 1.7 MB
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With I Viaggi di Faustina Glossa is launching a new collection focusing on famous Italian singers from the 17th and 18th centuries, whose travels bear witness to the intense level of artistic activity then taking place in the major cities of Europe. Faustina Bordoni, the brilliant diva with whom we begin this series pursued her career mainly in Naples (the principal focus of this CD) and Venice, but also in cities such as Bologna, Parma, Dresden and London. These were cities hosting – with great success – operas by Johann Adolph Hasse (Bordoni’s husband), Nicola Popora, Leonardo Vinci, Francesco Mancini and Domenico Sarro; most of these composers are represented on this first selection of wonderful arias.
Alison Balsom’s fourth CD for EMI Classics features Franz Joseph Haydn and Johann Nepomuk Hummel’s evergreen trumpet concertos, coupled with concertos by Johann Baptist Georg Neruda and Giuseppe Torelli. Balsom also directs Die Deutsche Kammerphilharmonie Bremen.
Some 15 years ago, the hitherto unknown "Carlo G Manuscript" was purchased at a Vienna jumble sale for the princely sum of 60 euros. Once a doctoral thesis has been prepared based on this document and it had been made available on the internet in the form of scanned images, the manuscript was sold by Sotheby's at auction to an anonymous buyer in 2007, as a consequence of which it has once again disappeared. The fact that the surname of its author had become illegible as a result of a smudge deepens the mystery surrounding the manuscript even further - however, although being from the same time as that of the famous Carlo Gesualdo, everything points to the fact the prince of Venosa was not the composer being searched for…
Transcendent With Awesome Majesty. John Tavener wrote these words above the opening cello notes of The Protecting Veil, immediately communicating the scale of this universal, timeless, structurally perfect and emotionally powerful work. In the composers words The cello represents The Mother of God and never stops singing. Indeed, the cello sings without stopping for the entire 46 minutes of the piece, requiring huge mental and physical stamina. Matthew Barley leads Sinfonietta Riga in this exploration of Taveners musical works and inspirations, interspersing performances with readings of WB Yeats and Frithjof Schuon by renowned actors Julie Christie and Olwyn Fouéré.