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Collectors of our Romantic Piano Concertos will already know the name of Sergei Bortkiewicz and just a small something of what to expect of this first recording of his two symphonies. Martyn Brabbins and the BBC Scottish played the First Symphony in a public concert the day before this recording was made. Here is what The Glasgow Herald said of the occasion: "Last night the one-man Tchaikovsky tribute band, Sergei Bortkiewicz, roared into town with his first symphony and left the BBC SSO, conductor Martyn Brabbins, and the audience, with grins as wide as the Volga fabulous orchestration, thoroughgoing craftsmanship, and an exuberant panache that raised the whole thing several storeys above mere pastiche. It's a dazzling, hugely enjoyable barnstormer with a gorgeous slow movement (containing an oboe theme to die for), and a punch line so familiar, yet so unexpected, that it's uproarious. Someone tell the London gaffer to put this in the Promsit would blow the audience clean away."

Le quart de beurre américaine par Indéterminé (des) et Remo Pizzardi (sc) (89 pl) - Faut pas en faire un dream par M. Santoro (des) et Remo Pizzardi (sc) (95pl).

Based on Carlo Collodi's classic novel, this mini-series is about an animated puppet named Pinocchio and his father, a poor woodcarver named Geppetto.

Dedicating an album to the dark side of the Lied might seem inappropriate in these times of Covid, climate change and refugee crises, but as a mezzo-soprano Olivia has always been drawn to the darker roles in opera, the sad arias in oratorio and the deep laments in song. After our recent recording ('Dirty Minds'), which focused on 'la petite mort', it seemed a natural progression to turn our attention to 'la grande mort'! Darkness in the outside world and the inner self has always been - alongside Love - one of the chief themes of vocal music, and compositions and songs about death are legion during every period of musical history.

In 1965 Mexico City, Flavia, a wealthy yet lonely schoolgirl, befriends Veronica, a young orphan girl who has a fascination with witchcraft. Veronica convinces Flavia that she is a real witch and forces her to be her assistant. The children's games gradually become more serious and Veronica demands more from Flavia.