New 2024 studio album from The Call. The Call recorded “Beaten at Your Own Game,” “Can't Find Love,” and “Christine” ca. 1978-1980, during a time in which the band called themselves Airtight and, later, Motion Pictures, and before the band cut their first deal with Polygram. “Welcome to My World” is an outtake from 1986's Into the Woods sessions.

Upgrading an earlier two-fer CD that curiously omitted great swathes of both albums, the coupling of 1979's breakthrough Replicas and the 1978 demos that comprised The Plan is both chronologically and musically askance – one entire LP, Tubeway Army's eponymous debut, divided these two projects in time, and while it, too, barely hinted at the utter re-evaluation that Gary Numan would soon be making, the jolt would have been a lot less pronounced had some kind of internal logic been adhered to. No complaints, of course, about the bang for your buck. No less than 38 tracks are spread across the two discs, as the original 12-track The Plan and ten-song Replicas are joined by a wealth of bonus tracks, each offering up a full snapshot of Numan's activities at those particular points in time. The Plan adds three more of the demos that were recorded with the original LP's worth, then adds on the six songs recorded during sessions for the band's first two singles, on either side of the main attraction; Replicas is appended by half a dozen session outtakes, two of which were period B-sides.

Released in 1998, Time Capsule: Songs for a Future Generation is the essential B-52's greatest-hits collection. A chronologically assembled highlight reel of the group's first two decades, it contains all of their singles and a number of album favorites, along with two exclusive then-newly written tracks. When they first arrived on the scene in 1979, their kitschy thrift-store image and weirdly spartan sound immediately set them apart from others in the new wave scene to which they were loosely attached. Three guys, two girls, arcane hairdos, no bassist, and a sound that was equal parts spy music and good-time dance party, the B-52's were always fascinatingly loveable outsiders and remained so throughout their years of success. Beginning with "Planet Claire," "52 Girls," and the immortal "Rock Lobster," Time Capsule winds its way through their early and mid-'80s hits like "Quiche Lorraine" and the charming "Song for a Future Generation." As they continued to grow and evolve, their sound expanded, becoming both more nostalgic and more light-hearted, leading into their commercial peak in the early '90s with the excellent "Channel Z," "Roam," and of course "Love Shack".

Marc Collin, the creator of Nouvelle Vague, never anticipated producing a fifth album for the project, originally envisioning it as a one-off tribute to post-punk through bossa nova. However, the unexpected success of their debut album, featuring unique covers of songs by XTC, Public Image Limited, Josef K, and Joy Division, propelled Nouvelle Vague into unforeseen popularity.