Snowball was founded by four of the most distinguished European musicians. Drummer Curt Cress shortly before left Doldinger's Passport. Together with Dave King (bass, keyboards, Ex-Embryo), who amongst others played with Volker Kriegel, Donna Summer and Wolfgang Dauner he built the core of this new supergroup. Keyboarder Kristian Schultze, also from Passport, joined them. The quartet was complete with Roye Albrighton, guitar-player and singer for long years of the band Nektar.
The band played a funk oriented progressive jazz-rock similar to Passport, with a rockier edge. The first record Defroster was released in 1978…

Formed in 2009 as a solo vehicle for Sydney-based singer/songwriter Dave Hosking, Boy & Bear specializes in evocative and heartfelt indie folk-rock in the vein of contemporaries like Fleet Foxes, Bombay Bicycle Club, and Mumford & Sons. Rounded out by guitarist Killian Gavin, bass player Dave Symes, and brothers Tim (drums) and Jon Hart (mandolin, keyboards), the Aussie quintet inked a record deal with Island Records on the strength of its independently released first single, "Mexican Mavis." The group's debut EP, With Emperor Antarctica, dropped in early 2010, followed in 2011 by Boy & Bear's debut long-player, Moonfire, which went platinum in their native Australia. The band's sophomore outing, 2013's Harlequin Dream, would go gold.

Delirium is an important band in the history of Italian progressive rock music, having been active since 1970. They originally formed in Genoa during the late 1960s as I Sagittari and their line-up consisted of Ettore Vigo (keyboards), Peppino Di Santo (drums, vocals), Mimmo Di Martino (acoustic guitar) and Marcello Reale (bass). The later arrival of Ivano Fossati (vocals, keyboards, flute) completed the band, whose early musical style was a mix of the so-called Italian melodic tradition and UK progressive influences, in particular King Crimson and Colosseum.
Their first album, the rough-hewn ''Dolce Acqua'' (1971), was one of the earliest Italian progressive albums and is a conceptual suite with each of its eight movements being based on different human emotions…

Beginning with the 1975 landmark Electronic Realizations for Rock Orchestra, Synergy explored the possibilities inherent in synthesizer/sequencer technology and digital-studio production techniques, resulting in some of the most inventive electronic music of the '70s. It was mostly the work of synthesizer expert Larry Fast, who also brought electronics to the mainstream by coordinating synthesized passages for dozens of pop acts during the '70s and '80s, including Yes, Peter Gabriel, Meatloaf, John Denver, Barbra Streisand, Hall & Oates, Kate Bush, Foreigner, and Randy Newman.
Recording as Synergy, Fast debuted in 1975 with Electronic Realizations for Rock Orchestra. The album became a surprise favorite with progressive radio, and was hailed by synthesizer pioneer Robert Moog as the most important recording to date using his Moog synthesizer…

Emma Myldenberger have a unique sound, essentially acoustic, mixing various elements from authentic pagan folk to medieval and psych-progressive rock. Their first album was released in 1978. Musical themes are closed to ancient music, ritualistic in nature. The instrumentation essentially refers to a nice orchestration made of guitars, oboe, ocarina, mandolin, crumhorn, hand percussions, with addition of a fragile female voice and an almost eastern-like exoticism. Their second album called "Tour de trance" is considered to be one of the most achieved psych-folk listenings. A very ambitious effort made of high quality kraut-folk improvisations. After two releases the band formed the Radio Noisz Ensemble (Third Ear Band, Between similar musical experiences). Garden of Delight reissues contain some precious informations about the band short history. An important document.

The style of this little-known Swedish quartet from the mid-70's is hard to describe as it escapes most comparisons; the closest would be Finnforest, and perhaps Danish fusion band Secret Oyster. This is fusion at its best: energetic instrumental jazz-rock featuring dual guitars, electric piano/Hammond organ, bass and drums, and stunning musicianship all around. After the release of their second album in 1976, the band, alas, split up.
Although the tracks on their first album are rather short, each one is chock full of ideas and beautiful catchy melodies based on tight, 70ish-like jazzy grooves, all charmingly and distinctively Swedish. Their second album, "Vera O'Flera", which features a guest musician on sax, is in the same vein but much more fusion oriented.

Tetragon, successor of Trikolon, were founded in Osnabrück (Lower Saxony) in the spring of 1971. They released their first and only LP, "Nature", in that very year. The band did not conform to any predetermined musical style: they played whatever they pleased, as long as it included groovy Hammond organ and very trippy, flanged wah-wah guitar, in various taut jamming modes that favored jazz/rock fusion à la Miles Davis with a small dose of classical music (adapting a Bach fugue along the way). The result is a bouquet of lush instrumentals, with elements of Egg or the Nice, and quite a bit of T2 to boot.
At the end of 1971, Tetragon recorded in a Hamburg studio five long tracks in their well-proven style for their second LP, the release of which, however, failed…