The collaboration between Theo Travis and Robert Fripp has become something of a familiar musical pairing in recent years. Working in an area of music - improvised duets - normally associated with "difficult" or "austere" music, Travis & Fripp have neatly side-stepped such strictures to produce a body of work that is wholly approachable, frequently tuneful and always surprising in the depth and range of material that can be produced by two instrumentalists."

‘Discretion’ is the brand new album by pioneering guitar legend Robert Fripp and flautist/saxophonist Theo Travis made available for Bowers & Wilkins Society of Sound in stunning 24 bit high quality digital format. The music follows on from the duo’s previous album releases and combines almost telepathic interplay with a deep understanding of musical texture and space, the building of long slow melodies, and the creation of slowly shifting harmonic soundscapes.

The Piano Quintet in E-flat minor, Op.87, is a composition by the Austrian composer Johann Nepomuk Hummel. Composed in 1802, it was not published until around 1822 and might have served as an example cited by Sylvester Paumgartner who commissioned Hummel’s friend Schubert to write his own piano quintet.

he String Quintet No. 4 in G minor, K. 516, written by Wolfgang Amadeus Mozart, is like all of Mozart's string quintets a "viola quintet" in that it is scored for string quartet and an extra viola (i.e., two violins, two violas, and cello). The mood of the piece is dark and melancholic, typical of Mozart's G minor works.

This could be the title which sums up the content of the two live performances contained in this album: the Septet op. 20 (1799-1800) by Ludwig van Beethoven for clarinet, horn, bassoon, violin, viola, cello and double bass and the Quintet in B flat major no.2 op. 87 (1845) by Felix Mendelssohn Bartholdy. If for Beethoven, this represents a chronological and creative conclusion to his so-called Classical period, in Mendelssohn’s case, we are faced with a work demonstrating his full maturity. And yet, in both cases there is a sense of fluidity and freshness that allows for immediate emotional appreciation and memorability, especially for the non-professional listener.

In composing the Quartet No.1 in G min op.25 for piano and strings (and op.26) - his first truly important chamber works - Brahms - being the fervent classicist that he was - looked back to some important models to emulate and renew, he composed his own diptych of quartets with piano with other significant diptychs of pieces for strings and piano in mind: Mozart's Quartets K 478 and K 493 (Mozart's K 478 and Brahms' op. 25 are both in G min), Beethoven's two Trios op.70, Schubert's two Trios op.99 and 100.

32 Minutes and 17 Seconds with Cliff Richard is the fifth studio album by Cliff Richard (seventh album overall) and was released in September 1962. The album reached #3 on the UK Albums Chart.

Ella Wishes You a Swinging Christmas is a 1960 album by the American jazz singer Ella Fitzgerald, recorded in the summer of 1960, with a studio orchestra arranged and conducted by Frank DeVol.

Kathryn Legendre, a native Texan, has become a fixture of the Austin music scene, playing her own brand of original honky tonk.

'Dark City' is a fusion jazz/prog rock concept album inspired by a series of paintings called 'Mørk by' (Dark City in Norwegian) by Morten A. Fagerli.

Dollar A Day is the new album from GRAMMY® Award-nominated artist Charley Crockett.

Rock and Roll Hall of Fame inductee “Little Anthony” Gourdine is without question one of the most celebrated vocalists in the annals of popular music.

Mirentxu, the first stage work by Jesús Guridi, premiered on May 31, 1910 at the Campos Elíseos Theater in Bilbao with the composer himself leading the orchestra and the Bilbao Choral Society, curator of the commission.

The moods here are anything but blue – as the group's got an upbeat, positive way of laying into a tune right from the start – as they take on a range of compositions by Charles Mingus, but all served up in a lean quartet formation that really helps transform the songs!

Christian Madden & The Enemy Chorus, an ensemble of friends and cohorts fronted by the founder member of The Earlies and keyboard player in Liam Gallagher’s band. The album is scorched with the psychedelic funk rock heat of Booker T and Brian Auger, the punchy brass arrangements of Chicago Transit Authority and Tower of Power, and the kosmische motorik wonders of Can, Cluster and Harmonia.