"Amandla" was Miles' perfect departure from "Tutu", and a comeback for himself and his right-hand man, the composer Marcus Miller. The album features investigations into the possibilities of contemporary synthesizers and drum machines. But unlike Tutu, Miles and Miller supply a satisfactory amount of real orchestral instrumentation, real drums, percussion and guitars.

McCoy Tyner with Stanley Clarke and Al Foster is an album by McCoy Tyner released on the Telarc label in 2000. It was recorded in April 1999 and features performances of by Tyner with Stanley Clarke and Al Foster. The Allmusic review by Richard S. Ginell states that "This is Tyner reaffirming most of his strengths: the massive tone quality, the two-handed control over the entire keyboard, and the generally uplifting attitude conveyed through the shape of his melodic invention".

Pianist McCoy Tyner and tenor-saxophonist Joe Henderson had not recorded together in over two decades when they finally met up for this Chesky Records' album. With strong assistance from bassist Ron Carter and drummer Al Foster, Tyner and Henderson make for a perfect team on four originals by group members and four superior standards.

New York Album is an album by saxophonist Art Pepper recorded in 1979 at the sessions that produced So in Love but not released on the Galaxy label until 1985. This classic lineup features Art Pepper on alto sax, Hank Jones on piano, Ron Carter on bass and Al Foster on drums.

So In Love is an album by saxophonist Art Pepper recorded in 1979 and originally released on the Artists House label. The AllMusic review by Scott Yanow noted: "Pepper is in excellent form throughout the album, giving these songs heart-wrenching interpretations".

Hard bop trumpeter Blue Mitchell recorded "The Thing To Do" in 1964 for Blue Note, his first for the label as leader, accompanied by a young Chick Corea on piano at the very beginning of his professional career. Corea even contributes the album's closing number, Chick's Tune. Tenor saxophonist Junior Cook joins Mitchell on the front line, backed by bassist Gene Taylor and drummer Al Foster.

The Man with the Horn is an album released by Miles Davis in 1981, featuring drummer Al Foster, saxophonist Bill Evans, guitarists Mike Stern and Barry Finnerty, and others. It was Davis's first new release since 1975, following a six-year reclusive retirement. Rock-oriented in nature, the music fuses 1980s pop with improvisational funk and fusion styles. The album marked Davis's return to his more traditional trumpet playing, although the title song "The Man with the Horn" features wah-wah improvisation along with vocals.

You're Under Arrest is a 1985 album recorded by Miles Davis that saw Miles mix pop tunes with political statements about racism, pollution and war. Among other tracks, the album features Davis' interpretations of two contemporary pop songs: Cyndi Lauper's "Time After Time" and Michael Jackson's "Human Nature".

When Get Up with It was released in 1974, critics – let alone fans – had a tough time with it. The package was a – by then customary – double LP, with sessions ranging from 1970-1974 and a large host of musicians who had indeed played on late-'60s and early-'70s recordings, including but not limited to Al Foster, Airto, John McLaughlin, Reggie Lucas, Pete Cosey, James Mtume, David Liebman, Billy Cobham, Michael Henderson, Herbie Hancock, Keith Jarrett, Sonny Fortune, Steve Grossman, and others. In The Rolling Stone Album Guide (2004), J.D. Considine described the compilation's music as "worldbeat fusion".

Amandla is an album by jazz musician Miles Davis, released in 1989. It is the third collaboration between Miles Davis and producer/bassist Marcus Miller, after Tutu (1986) and Music from Siesta (1987), and their final album together. The album mixes elements of the genres go-go, zouk, funk and jazz, combining electronic instruments with live musicians. The composition "Mr. Pastorius", featuring drummer Al Foster, is a tribute to late jazz bassist Jaco Pastorius. "Catémbe" is a Mozambican and Angolan cocktail of red wine and cola.

Denny Zeitlin is an American jazz pianst and composer. He's recorded more than 35 albums including more than 100 original compositions. On this release for Japanese Venus Records he's joins the bassist Buster Williams and drummer Al Forster to perform the Great American Songbook favorites and more jazz standards.

For Ted Rosenthal's second release on Venus, he dedicated the whole album to Helen Merrill — the exceptional singer who he has accompanied for more than ten years — by performing standars that are closely associated with her. The album starts with "You'd Be So Nice To Come Home To", a track Merrill made her own on her album with Clifford Brown on trumpet and Quincy Jones as arranger. Rosenthal's smart arrangements and gorgeous, lyrical playing are complemented perfectly by George Mraz on bass and Al Foster on drums. The close interaction between the trio is astounding.

Super Standard is an album by pianist Kenny Barron, bassist Jay Leonhart and drummer Al Foster (billed for contractual reasons as the Super Trio) recorded in New York in 2004 and released on the Japanese Venus label.

Heads of State made their debut in 2015 with "Search for Peace", recorded just months after they played together for the first time as a quartet at Smoke Jazz Club in New York City. Now, with another year of playing together under their collective belts, they return with a magnificent album "Four in One".

Heads of State, featuring four of the most respected and admired jazz artists of our time, releases its first recording "Search for Peace". A band over 50 years in the making, Gary Bartz, Larry Willis, Buster Williams, and Al Foster had performed together countless times in different combinations and contexts over their storied careers, but it wasn't until September 2014 that they appeared as a quartet.