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Agata Meissner - Austrian Harpsichord Music of the Late 17th Century (2025) [Official Digital Download]
![Agata Meissner - Austrian Harpsichord Music of the Late 17th Century (2025) [Official Digital Download]](https://pixhost.icu/avaxhome/87/8792/879295e652234658b1a4fe9bbbec690a-4790228415642290834.webp)
Agata Meissner - Austrian Harpsichord Music of the Late 17th Century (2025)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover & Digital Booklet | Time - 78:11 minutes | 539 MB
Classical | Label: DUX, Official Digital Download
FLAC (tracks) 24-bit/44,1 kHz | Front Cover & Digital Booklet | Time - 78:11 minutes | 539 MB
Classical | Label: DUX, Official Digital Download
The second half of the 17th century in Vienna coincided with the reign of Emperor Leopold I (1658–1705). The city was an important and influential music centre with its own tradition and musical practice. Through the connections to Italy and to smaller centres within the Habsburg Empire, it was also a melting pot of different musical styles and influences. These elements, that developed fully in the representational genres of church music and theatre, can be observed also in the
harpsichord compositions.
Tracklist:
01. Toccata 5ta, tutta de salti
02. Toccata 5ti toni
03. Conzan [sic!]
04. Alter Weiber-Krieg am Wiener Graben: I. 3tia Parte – II. 4ta Parte, III. Allemand – IV. [Parte] – V. 2da Parte d’Allemand
05. Alter Weiber-Krieg am Wiener Graben: VI. 4ta Parte – VII. Courante – VIII. 6ta Parte – IX. 2da Parte di Courante – X. 7ma Parte
06. Alter Weiber-Krieg am Wiener Graben: XI. Sarabande
07. Alter Weiber-Krieg am Wiener Graben: XII. 1ma Parte – XIII. Gigue – XIV. 9na Parte – XV. 2da Parte Gigue – XVI. 10ma Parte
08. Alter Weiber-Krieg am Wiener Graben: XVII. Alte Weiber geschmurgel auf den Wien Graben
09. Wiener Lamentation: I. [without title]
10. Wiener Lamentation: II. Türckischer Marsch – III. Die Pauken
11. Wiener Lamentation: IV. Saraband
12. Wiener Lamentation: V. Aria
13. Toccata fatta sopra l’assedio di Filipsburgo
14. Toccata ex d
15. Canzona 2nda
16. Suite D major from D-LEm Becker II.6.19: I. Intrada
17. Suite D major from D-LEm Becker II.6.19: II. Menuett[?]/Allemande
18. Suite D major from D-LEm Becker II.6.19: III. Bourrée
19. Suite D major from D-LEm Becker II.6.19: IV. Courante
20. Suite D major from D-LEm Becker II.6.19: V. Sarabande
21. Suite D major from D-LEm Becker II.6.19: VI. Lyra venetiana from D-LEm Becker II.6.19
22. Suite D major from D-LEm Becker II.6.19: VII. Gigue
23. Toccata ex e
24. Suite e minor: I. Intrada
25. Suite e minor: II. Double
26. Suite e minor: III. Courante
27. Suite e minor: IV. Sarabande
28. Suite e minor: V. Double
29. Suite e minor: VI. Menuett
30. Suite e minor: VII. Gigue
31. Suite E major: I. Prelude
32. Suite E major: II. Allemande
33. Suite E major: III. Courante
34. Suite E major: IV. Sarabande
35. Suite E major: V. Gavotte
36. Suite E major: VI. Gigue
foobar2000 v2.24.1 / DR Meter v0.7
log date: 2025-09-08 09:26:36
––––––––––––––––––––––––––––––––––––––––
Analyzed: Agata Meissner / Austrian Harpsichord Music of the Late 17th Century
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.10 dBFS -14.18 dBFS 3:25 01-Toccata 5ta, tutta de salti
DR12 -0.14 dBFS -15.11 dBFS 2:05 02-Toccata 5ti toni
DR12 -0.09 dBFS -14.05 dBFS 2:19 03-Conzan [sic!]
DR13 -0.10 dBFS -16.31 dBFS 4:54 04-Alter Weiber-Krieg am Wiener Graben: I. 3tia Parte – II. 4ta Parte, III. Allemand – IV. [Parte] – V. 2da Parte d’Allemand
DR12 -0.10 dBFS -14.99 dBFS 4:11 05-Alter Weiber-Krieg am Wiener Graben: VI. 4ta Parte – VII. Courante – VIII. 6ta Parte – IX. 2da Parte di Courante – X. 7ma Parte
DR12 -4.58 dBFS -20.13 dBFS 2:00 06-Alter Weiber-Krieg am Wiener Graben: XI. Sarabande
DR12 -0.09 dBFS -14.30 dBFS 4:02 07-Alter Weiber-Krieg am Wiener Graben: XII. 1ma Parte – XIII. Gigue – XIV. 9na Parte – XV. 2da Parte Gigue – XVI. 10ma Parte
DR11 -0.05 dBFS -13.16 dBFS 2:00 08-Alter Weiber-Krieg am Wiener Graben: XVII. Alte Weiber geschmurgel auf den Wien Graben
DR13 -0.61 dBFS -18.12 dBFS 1:41 09-Wiener Lamentation: I. [without title]
DR12 -0.06 dBFS -14.63 dBFS 2:06 10-Wiener Lamentation: II. Türckischer Marsch – III. Die Pauken
DR14 -2.31 dBFS -19.45 dBFS 1:12 11-Wiener Lamentation: IV. Saraband
DR13 -3.36 dBFS -18.63 dBFS 1:07 12-Wiener Lamentation: V. Aria
DR12 -0.08 dBFS -14.44 dBFS 5:57 13-Toccata fatta sopra l’assedio di Filipsburgo
DR12 -0.10 dBFS -14.52 dBFS 3:05 14-Toccata ex d
DR11 -2.90 dBFS -16.96 dBFS 2:47 15-Canzona 2nda
DR13 -3.40 dBFS -19.73 dBFS 1:47 16-Suite D major from D-LEm Becker II.6.19: I. Intrada
DR14 -3.30 dBFS -19.41 dBFS 1:30 17-Suite D major from D-LEm Becker II.6.19: II. Menuett[?]/Allemande
DR12 -4.37 dBFS -18.37 dBFS 0:58 18-Suite D major from D-LEm Becker II.6.19: III. Bourrée
DR12 -4.54 dBFS -18.56 dBFS 1:14 19-Suite D major from D-LEm Becker II.6.19: IV. Courante
DR13 -4.10 dBFS -19.58 dBFS 1:11 20-Suite D major from D-LEm Becker II.6.19: V. Sarabande
DR10 -6.85 dBFS -18.59 dBFS 0:40 21-Suite D major from D-LEm Becker II.6.19: VI. Lyra venetiana from D-LEm Becker II.6.19
DR12 -2.99 dBFS -18.07 dBFS 1:09 22-Suite D major from D-LEm Becker II.6.19: VII. Gigue
DR12 -0.08 dBFS -14.53 dBFS 6:09 23-Toccata ex e
DR12 -3.36 dBFS -17.92 dBFS 1:22 24-Suite e minor: I. Intrada
DR13 -1.95 dBFS -17.50 dBFS 1:17 25-Suite e minor: II. Double
DR11 -0.09 dBFS -13.44 dBFS 1:17 26-Suite e minor: III. Courante
DR14 -0.95 dBFS -17.54 dBFS 1:32 27-Suite e minor: IV. Sarabande
DR12 -2.87 dBFS -17.40 dBFS 1:15 28-Suite e minor: V. Double
DR13 -0.12 dBFS -14.25 dBFS 0:32 29-Suite e minor: VI. Menuett
DR12 -0.08 dBFS -14.90 dBFS 1:05 30-Suite e minor: VII. Gigue
DR11 -6.17 dBFS -20.09 dBFS 0:46 31-Suite E major: I. Prelude
DR11 -3.26 dBFS -17.78 dBFS 3:14 32-Suite E major: II. Allemande
DR12 -1.19 dBFS -15.64 dBFS 2:43 33-Suite E major: III. Courante
DR13 -6.42 dBFS -21.52 dBFS 2:48 34-Suite E major: IV. Sarabande
DR12 -1.71 dBFS -15.27 dBFS 1:11 35-Suite E major: V. Gavotte
DR13 -1.31 dBFS -15.52 dBFS 1:38 36-Suite E major: VI. Gigue
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 36
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 950 kbps
Codec: FLAC
================================================================================
log date: 2025-09-08 09:26:36
––––––––––––––––––––––––––––––––––––––––
Analyzed: Agata Meissner / Austrian Harpsichord Music of the Late 17th Century
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.10 dBFS -14.18 dBFS 3:25 01-Toccata 5ta, tutta de salti
DR12 -0.14 dBFS -15.11 dBFS 2:05 02-Toccata 5ti toni
DR12 -0.09 dBFS -14.05 dBFS 2:19 03-Conzan [sic!]
DR13 -0.10 dBFS -16.31 dBFS 4:54 04-Alter Weiber-Krieg am Wiener Graben: I. 3tia Parte – II. 4ta Parte, III. Allemand – IV. [Parte] – V. 2da Parte d’Allemand
DR12 -0.10 dBFS -14.99 dBFS 4:11 05-Alter Weiber-Krieg am Wiener Graben: VI. 4ta Parte – VII. Courante – VIII. 6ta Parte – IX. 2da Parte di Courante – X. 7ma Parte
DR12 -4.58 dBFS -20.13 dBFS 2:00 06-Alter Weiber-Krieg am Wiener Graben: XI. Sarabande
DR12 -0.09 dBFS -14.30 dBFS 4:02 07-Alter Weiber-Krieg am Wiener Graben: XII. 1ma Parte – XIII. Gigue – XIV. 9na Parte – XV. 2da Parte Gigue – XVI. 10ma Parte
DR11 -0.05 dBFS -13.16 dBFS 2:00 08-Alter Weiber-Krieg am Wiener Graben: XVII. Alte Weiber geschmurgel auf den Wien Graben
DR13 -0.61 dBFS -18.12 dBFS 1:41 09-Wiener Lamentation: I. [without title]
DR12 -0.06 dBFS -14.63 dBFS 2:06 10-Wiener Lamentation: II. Türckischer Marsch – III. Die Pauken
DR14 -2.31 dBFS -19.45 dBFS 1:12 11-Wiener Lamentation: IV. Saraband
DR13 -3.36 dBFS -18.63 dBFS 1:07 12-Wiener Lamentation: V. Aria
DR12 -0.08 dBFS -14.44 dBFS 5:57 13-Toccata fatta sopra l’assedio di Filipsburgo
DR12 -0.10 dBFS -14.52 dBFS 3:05 14-Toccata ex d
DR11 -2.90 dBFS -16.96 dBFS 2:47 15-Canzona 2nda
DR13 -3.40 dBFS -19.73 dBFS 1:47 16-Suite D major from D-LEm Becker II.6.19: I. Intrada
DR14 -3.30 dBFS -19.41 dBFS 1:30 17-Suite D major from D-LEm Becker II.6.19: II. Menuett[?]/Allemande
DR12 -4.37 dBFS -18.37 dBFS 0:58 18-Suite D major from D-LEm Becker II.6.19: III. Bourrée
DR12 -4.54 dBFS -18.56 dBFS 1:14 19-Suite D major from D-LEm Becker II.6.19: IV. Courante
DR13 -4.10 dBFS -19.58 dBFS 1:11 20-Suite D major from D-LEm Becker II.6.19: V. Sarabande
DR10 -6.85 dBFS -18.59 dBFS 0:40 21-Suite D major from D-LEm Becker II.6.19: VI. Lyra venetiana from D-LEm Becker II.6.19
DR12 -2.99 dBFS -18.07 dBFS 1:09 22-Suite D major from D-LEm Becker II.6.19: VII. Gigue
DR12 -0.08 dBFS -14.53 dBFS 6:09 23-Toccata ex e
DR12 -3.36 dBFS -17.92 dBFS 1:22 24-Suite e minor: I. Intrada
DR13 -1.95 dBFS -17.50 dBFS 1:17 25-Suite e minor: II. Double
DR11 -0.09 dBFS -13.44 dBFS 1:17 26-Suite e minor: III. Courante
DR14 -0.95 dBFS -17.54 dBFS 1:32 27-Suite e minor: IV. Sarabande
DR12 -2.87 dBFS -17.40 dBFS 1:15 28-Suite e minor: V. Double
DR13 -0.12 dBFS -14.25 dBFS 0:32 29-Suite e minor: VI. Menuett
DR12 -0.08 dBFS -14.90 dBFS 1:05 30-Suite e minor: VII. Gigue
DR11 -6.17 dBFS -20.09 dBFS 0:46 31-Suite E major: I. Prelude
DR11 -3.26 dBFS -17.78 dBFS 3:14 32-Suite E major: II. Allemande
DR12 -1.19 dBFS -15.64 dBFS 2:43 33-Suite E major: III. Courante
DR13 -6.42 dBFS -21.52 dBFS 2:48 34-Suite E major: IV. Sarabande
DR12 -1.71 dBFS -15.27 dBFS 1:11 35-Suite E major: V. Gavotte
DR13 -1.31 dBFS -15.52 dBFS 1:38 36-Suite E major: VI. Gigue
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 36
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 950 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer!