"Makin' Whoopee" (1993) is an album by the jazz ensemble Travelin' Light, a group known for their vibrant and playful approach to jazz standards, particularly focusing on the more lighthearted, swinging, and easy-listening aspects of the genre. The album features a collection of classic jazz songs, including the famous track "Makin' Whoopee" (originally written by Walter Donaldson and Gus Kahn), and showcases the band's ability to bring a fun, upbeat, and energetic spin to traditional jazz.

"Innocent Bossa In The Mirror" (2002) is an album by Jun Miyake, a Japanese composer and multi-instrumentalist known for blending genres like jazz, bossa nova, ambient, and electronic music. Miyake’s music often combines elements of traditional Japanese sound with influences from Latin jazz, bossa nova, and contemporary styles, creating a unique sonic landscape.

"Conexión" (2017) is a collaborative album between the renowned Spanish flamenco guitarist Chicuelo (Juan Gómez) and Marco Mezquida, a highly regarded pianist from the Balearic Islands who is known for his work in jazz and contemporary music. The album represents a meeting point between the worlds of flamenco and jazz, merging traditional flamenco with improvised and contemporary elements, showcasing the impressive virtuosity and creativity of both musicians.

"Under the Whale" (2005) is an album by the Cholet Känzig Papaux Trio, a jazz trio featuring Bruno Cholet on piano, Bänz Oester on bass, and Philippe Zaugg on drums. The trio, while not as widely known as some of the other jazz acts, has garnered attention for their ability to blend modern jazz with elements of contemporary European jazz and avant-garde influences. Under the Whale is an intriguing exploration of improvisation, harmonies, and textures, showcasing the trio's ability to create a unique soundscape that is both sophisticated and experimental.

"As in a Last Supper" (1976) is the sixth studio album by the Italian progressive rock band Banco del Mutuo Soccorso, one of the most influential and iconic bands of the Italian progressive rock (or Italian prog) scene. Known for their complex compositions, dynamic arrangements, and fusion of classical, jazz, and rock elements, Banco del Mutuo Soccorso was a pivotal band in the development of progressive rock in Italy during the 1970s.

"Gullible's Travels" (1985) is the second album by the Scottish progressive rock band Abel Ganz. Released in 1985, it is a significant follow-up to their debut album, Gratuitous Flash (1984), and continues the band's exploration of neo-progressive rock and symphonic elements. The album builds on the sound they established in their early work while incorporating more mature compositions, complex arrangements, and a deeper focus on melody.

"Gratuitous Flash" (1984) is the debut album by Abel Ganz, a Scottish progressive rock band known for their blend of neo-progressive rock, symphonic rock, and melodic elements. Released in 1984, it marks the band's entry into the progressive rock scene, and it is a solid representation of early 1980s neo-prog—a subgenre that took inspiration from the classic 70s progressive rock but incorporated more modern, accessible elements.

"You Can't Go Home Again" (1977) is an album by Chet Baker, one of the most influential and iconic trumpet players in jazz history. Released in 1977, it marks a notable point in Baker’s long and varied career, blending elements of his earlier cool jazz style with the more contemporary sounds of the 1970s. This album is an excellent example of Baker's ability to adapt to changing musical landscapes while maintaining his distinct voice as a trumpet player and vocalist.

Abel Ganz - The Dangers of Strangers (1988)
Label: VeeJay | FLAC (tracks + .cue,log) | MP3/320 kbps | Time: 38:55 | 261 MB(+3%) | 92 MB(+3%)
Genre: Rock, Neo Progressive
"The Dangers of Strangers" (1988) is an album by the Scottish progressive rock band Abel Ganz, and it holds an important place in the band's discography. Released in the late 1980s, it captures a transitional phase for the band as they evolved from their early 1980s synth-heavy sound into something more mature, incorporating neo-progressive elements with a broader range of influences. The album represents the band's growing sophistication in their songwriting and arrangements, showing their evolution into a more melodic and symphonic progressive rock band.

"The Deafening Silence" (1994) is an album by the Abel Ganz, a Scottish progressive rock band that has been active since the early 1980s. Known for blending traditional progressive rock elements with more modern, melodic sensibilities, Abel Ganz's music often incorporates influences from symphonic rock, art rock, and neo-progressive styles. The Deafening Silence marks an important point in the band's discography, as it showcases their more mature sound, building upon their early 80s roots while adding new dimensions to their musical identity.

"Pulse" (1984) is an album by Ronald Shannon Jackson, an innovative drummer and bandleader who was a key figure in the avant-garde jazz and free jazz scenes. Known for his intense rhythms and adventurous musical approach, Jackson was heavily influenced by his work with other jazz greats, including Ornette Coleman and Albert Ayler, and had a significant impact on the evolution of jazz drumming, especially in the realm of post-bop and free jazz.

"Tam Boe Man Live" (2009) is a live album by The New Earth Group, a jazz collective that blends elements of free jazz, avant-garde, and world music. The group is known for their experimental approach to jazz, and this album captures their live energy and improvisational skill in a raw, unfiltered setting.

"Still Life With Eggplant" (2013) is an album by the Norwegian rock band Motorpsycho. Known for their eclectic and experimental approach, Motorpsycho has explored various genres over the years, including progressive rock, psych rock, stoner rock, and even elements of jazz and classical music. This particular album is an exploration of their more intricate and atmospheric side, combining elements of space rock, prog rock, and psych rock, with a touch of indie rock.

"Maria Juanez" (2006) is an album by the Brad Leali Jazz Orchestra, led by Brad Leali, an accomplished American saxophonist and bandleader. The album features compositions and arrangements by Leali and showcases the talents of the jazz orchestra in an engaging mix of big band and contemporary jazz styles. Leali, known for his rich experience in both small combo settings and large ensembles, brings his personal touch to the arrangement and performance of this album.

"Wild Genius" (2005) is an album by the Massimo Urbani Quintet, featuring renowned jazz saxophonist Bob Mover. Massimo Urbani, an influential Italian saxophonist known for his expressive style and technical prowess, was a prominent figure in the Italian jazz scene until his untimely death in 1993. The album Wild Genius is a posthumous release, showcasing the work of the Massimo Urbani Quintet with an additional guest appearance by Bob Mover, a notable American saxophonist.