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    Silva Manfrè - Murschhauser - Prototypon Longo-Breve Organicum (2023) [Official Digital Download 24/96]

    Posted By: pyatak
    Silva Manfrè - Murschhauser - Prototypon Longo-Breve Organicum (2023) [Official Digital Download 24/96]

    Silva Manfrè - Murschhauser - Prototypon Longo-Breve Organicum (2023) [Official Digital Download 24/96]
    FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 81:03 minutes | 1,5 GB
    Classical | Studio Master, Official Digital Download

    Franz Xaver Murschhauser was born in the summer of 1663. In 1676 Murschhauser joined the choir and orchestra of St Peter’s, where he benefited first from the tuition he received from the church’s choir director Sigmund Auer and later, from 1684 to 1693, from the Court Kapellmeister Johann Kaspar Kerll, which left a lasting impression on him.

    In July 1690, most probably on the recommendation of his teacher Johann Kaspar Kerll, Murschhauser was asked to stand in for the choirmaster of the Munich Frauenkirche, Ludwig Hölz, who was indisposed owing to illness. After the latter’s death in 1691, Murschhauser became his successor, holding the position for the remainder of his life.
    The Prototypon Longo-Breve Organicum (which might be translated as ‘Prototypes for organ pieces, long and short’) was published in two parts in Nuremberg in 1703 and 1707 and contains eight cycles/sections totalling 46compositions, comprising varying numbers of intonations, praeambulae, fugues, canzonas, toccatas and finales designed as preludes or postludes to figural music. In 20 of the more extensive numbers, Murschhauser indicates cuts as an aid for organists in liturgical use, if needed. It is precisely these sorts of adaptations of the musical material offered by the composer himself to suit the time available in liturgical performance that make the Prototypon such a practical and relevant work, right down to our own times.

    The intonations are made up of figures, broken chords and passages over a pedal point, deliberately kept free of any imitative interplay.
    The praeambulae consist either of motivic figurations with imitative passages and pedal points somewhat reminiscent of the style of Johann Pachelbel, or they are more akin to the old Italian toccata in their alternation of chord successions and scales. By contrast, the two toccate arpeggiate, with their full-voiced chordal writing and harmonic richness, point to the Overture in the French style which, at this time, was finding its way into southern German music primarily through the work of Johann Kaspar Ferdinand Fischer.

    TRACKLIST

    1. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: I. Intonatio primi toni
    2. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: II. Praeambulum primi toni
    3. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: III. Fuga prima primi toni
    4. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: IV. Fuga secunda primi toni
    5. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: V. Fuga finalis primi toni
    6. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: VI. Praeambulum primi toni
    7. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: VII. Praeambulum secundi toni
    8. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: VIII. Fuga secundi toni
    9. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: IX. Praeambulum aliud secundi toni
    10. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: X. Fuga alia secundi toni
    11. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: XI. Fuga secundi toni
    12. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: XII. Arpeggiata overo toccata secundi toni
    13. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: XIII. Praeambulum tertii toni
    14. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: XIV. Fuga tertii toni
    15. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: XV. Fuga brevissima tertii toni
    16. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: XVI. Praeambulum tertii toni
    17. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: XVII. Praeambulum brevissimum tertii toni
    18. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: XVIII. Fuga tertii toni
    19. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: XIX. Finale septimi toni
    20. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: XX. Fuga prima septimi toni
    21. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: XXI. Praeambulum septimi toni
    22. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars prima: XXII. Fuga secunda septimi toni
    23. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: I. Intonatio octavi toni cum, pedali ad libitum
    24. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: II. Praeambulum octavi toni
    25. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: III. Fuga prima octavi toni
    26. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: IV. Fuga secunda octavi toni
    27. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: V. Toccata arpeggiata octavi toni
    28. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: VI. Praeambulum decimi toni
    29. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: VII. Fuga decimi toni
    30. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: VIII. Praeambulum decimi toni cum pedali ad libitum
    31. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: IX. Fuga decimi toni
    32. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: X. Finale decimi toni cum pedali ad libitum
    33. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: XI. Toccata undecimi toni pro pedali
    34. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: XII. Fuga brevis undecimi toni
    35. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: XIII. Fuga sive canzon prima undecimi toni
    36. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: XIV. Fuga sive canzon secunda undecimi toni
    37. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: XV. Praeambulum undecimi toni
    38. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: XVI. Toccata arpeggiata brevis undecimi toni
    39. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: XVII. Praeambulum duodecimi toni
    40. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: XVIII. Fuga prima duodecimi toni
    41. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: XIX. Fuga secunda duodecimi toni
    42. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: XX. Fuga tertia duodecimi toni
    43. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: XXI. Fuga quarta duodecimi toni
    44. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: XXII. Toccata duodecimi toni cum pedali ad libitum
    45. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: XXIII. Toccata duodecimi toni
    46. Silva Manfrè - Prototypon longo-breve organicum, IFM 6, pars secunda: XXIV. Toccata duodecimi toni

    foobar2000 1.6.2 / Dynamic Range Meter 1.1.1
    log date: 2023-03-31 12:35:20

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Silva Manfrè / Murschhauser: Prototypon Longo-Breve Organicum
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR7 -6.85 dB -20.73 dB 0:38 01-Prototypon longo-breve organicum, IFM 6, pars prima: I. Intonatio primi toni
    DR8 -1.52 dB -12.57 dB 1:35 02-Prototypon longo-breve organicum, IFM 6, pars prima: II. Praeambulum primi toni
    DR10 -5.97 dB -22.00 dB 0:55 03-Prototypon longo-breve organicum, IFM 6, pars prima: III. Fuga prima primi toni
    DR10 -7.79 dB -20.42 dB 0:57 04-Prototypon longo-breve organicum, IFM 6, pars prima: IV. Fuga secunda primi toni
    DR7 -2.41 dB -15.89 dB 1:33 05-Prototypon longo-breve organicum, IFM 6, pars prima: V. Fuga finalis primi toni
    DR8 -2.35 dB -15.62 dB 2:43 06-Prototypon longo-breve organicum, IFM 6, pars prima: VI. Praeambulum primi toni
    DR10 -2.74 dB -15.54 dB 1:24 07-Prototypon longo-breve organicum, IFM 6, pars prima: VII. Praeambulum secundi toni
    DR10 -6.94 dB -22.26 dB 1:39 08-Prototypon longo-breve organicum, IFM 6, pars prima: VIII. Fuga secundi toni
    DR11 -2.34 dB -16.49 dB 2:03 09-Prototypon longo-breve organicum, IFM 6, pars prima: IX. Praeambulum aliud secundi toni
    DR10 -6.18 dB -19.29 dB 1:09 10-Prototypon longo-breve organicum, IFM 6, pars prima: X. Fuga alia secundi toni
    DR7 -10.03 dB -22.38 dB 1:07 11-Prototypon longo-breve organicum, IFM 6, pars prima: XI. Fuga secundi toni
    DR9 -2.89 dB -15.11 dB 1:52 12-Prototypon longo-breve organicum, IFM 6, pars prima: XII. Arpeggiata overo toccata secundi toni
    DR9 -5.38 dB -17.29 dB 1:59 13-Prototypon longo-breve organicum, IFM 6, pars prima: XIII. Praeambulum tertii toni
    DR10 -8.31 dB -21.34 dB 1:36 14-Prototypon longo-breve organicum, IFM 6, pars prima: XIV. Fuga tertii toni
    DR10 -7.12 dB -21.01 dB 0:28 15-Prototypon longo-breve organicum, IFM 6, pars prima: XV. Fuga brevissima tertii toni
    DR9 -11.89 dB -23.40 dB 1:37 16-Prototypon longo-breve organicum, IFM 6, pars prima: XVI. Praeambulum tertii toni
    DR9 -7.73 dB -19.65 dB 0:22 17-Prototypon longo-breve organicum, IFM 6, pars prima: XVII. Praeambulum brevissimum tertii toni
    DR9 -7.93 dB -19.49 dB 1:23 18-Prototypon longo-breve organicum, IFM 6, pars prima: XVIII. Fuga tertii toni
    DR9 -3.71 dB -17.03 dB 2:46 19-Prototypon longo-breve organicum, IFM 6, pars prima: XIX. Finale septimi toni
    DR11 -8.03 dB -22.16 dB 2:05 20-Prototypon longo-breve organicum, IFM 6, pars prima: XX. Fuga prima septimi toni
    DR8 -4.11 dB -16.40 dB 1:46 21-Prototypon longo-breve organicum, IFM 6, pars prima: XXI. Praeambulum septimi toni
    DR9 -1.21 dB -14.86 dB 3:20 22-Prototypon longo-breve organicum, IFM 6, pars prima: XXII. Fuga secunda septimi toni
    DR9 -4.57 dB -16.09 dB 0:50 23-Prototypon longo-breve organicum, IFM 6, pars secunda: I. Intonatio octavi toni cum, pedali ad libitum
    DR9 -3.62 dB -15.33 dB 1:39 24-Prototypon longo-breve organicum, IFM 6, pars secunda: II. Praeambulum octavi toni
    DR10 -16.30 dB -30.19 dB 1:52 25-Prototypon longo-breve organicum, IFM 6, pars secunda: III. Fuga prima octavi toni
    DR9 -10.59 dB -24.88 dB 1:56 26-Prototypon longo-breve organicum, IFM 6, pars secunda: IV. Fuga secunda octavi toni
    DR10 -3.29 dB -15.08 dB 3:16 27-Prototypon longo-breve organicum, IFM 6, pars secunda: V. Toccata arpeggiata octavi toni
    DR10 -7.10 dB -20.63 dB 1:07 28-Prototypon longo-breve organicum, IFM 6, pars secunda: VI. Praeambulum decimi toni
    DR9 -12.66 dB -25.05 dB 2:30 29-Prototypon longo-breve organicum, IFM 6, pars secunda: VII. Fuga decimi toni
    DR8 -1.64 dB -12.42 dB 0:57 30-Prototypon longo-breve organicum, IFM 6, pars secunda: VIII. Praeambulum decimi toni cum pedali ad libitum
    DR10 -5.42 dB -18.21 dB 3:34 31-Prototypon longo-breve organicum, IFM 6, pars secunda: IX. Fuga decimi toni
    DR9 -0.60 dB -11.46 dB 1:29 32-Prototypon longo-breve organicum, IFM 6, pars secunda: X. Finale decimi toni cum pedali ad libitum
    DR9 -1.72 dB -13.18 dB 2:18 33-Prototypon longo-breve organicum, IFM 6, pars secunda: XI. Toccata undecimi toni pro pedali
    DR7 -7.11 dB -21.56 dB 0:40 34-Prototypon longo-breve organicum, IFM 6, pars secunda: XII. Fuga brevis undecimi toni
    DR11 -5.76 dB -22.23 dB 2:33 35-Prototypon longo-breve organicum, IFM 6, pars secunda: XIII. Fuga sive canzon prima undecimi toni
    DR8 -8.80 dB -21.23 dB 2:26 36-Prototypon longo-breve organicum, IFM 6, pars secunda: XIV. Fuga sive canzon secunda undecimi toni
    DR9 -2.08 dB -14.59 dB 1:17 37-Prototypon longo-breve organicum, IFM 6, pars secunda: XV. Praeambulum undecimi toni
    DR8 -14.70 dB -25.21 dB 2:26 38-Prototypon longo-breve organicum, IFM 6, pars secunda: XVI. Toccata arpeggiata brevis undecimi toni
    DR9 -5.42 dB -16.74 dB 1:21 39-Prototypon longo-breve organicum, IFM 6, pars secunda: XVII. Praeambulum duodecimi toni
    DR9 -7.80 dB -21.01 dB 1:04 40-Prototypon longo-breve organicum, IFM 6, pars secunda: XVIII. Fuga prima duodecimi toni
    DR8 -6.84 dB -19.14 dB 2:14 41-Prototypon longo-breve organicum, IFM 6, pars secunda: XIX. Fuga secunda duodecimi toni
    DR10 -12.78 dB -26.50 dB 1:52 42-Prototypon longo-breve organicum, IFM 6, pars secunda: XX. Fuga tertia duodecimi toni
    DR10 -9.45 dB -23.72 dB 1:37 43-Prototypon longo-breve organicum, IFM 6, pars secunda: XXI. Fuga quarta duodecimi toni
    DR10 -2.04 dB -14.97 dB 3:03 44-Prototypon longo-breve organicum, IFM 6, pars secunda: XXII. Toccata duodecimi toni cum pedali ad libitum
    DR10 -1.88 dB -14.75 dB 1:35 45-Prototypon longo-breve organicum, IFM 6, pars secunda: XXIII. Toccata duodecimi toni
    DR11 -0.82 dB -15.73 dB 2:31 46-Prototypon longo-breve organicum, IFM 6, pars secunda: XXIV. Toccata duodecimi toni
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 46
    Official DR value: DR9

    Samplerate: 96000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 2766 kbps
    Codec: FLAC
    ================================================================================



    Thanks to the Original customer.