This immensely satisfying release features two of Gade's most likeable symphonies coupled with an overture of exuberant warmth and vitality. Hogwood's clinically recorded performances are a joy to listen to and, in my opinion, he comfortably supersedes earlier versions such as those on DaCapo and other obscure labels.

We switch from London to Denmark for this volume. Father and Daughter intricately mixes many solo voices and choir. The gaunt Kleine Variationen-forme is followed by the touching Song of Värmeland for choir. To a Nordic Princess is a lavishly grandiloquent piece first performed in the Hollywood Bowl as a love gift for his soon-to-be bride, Ella Ström. It verges on Richard Strauss at times. He was not averse to Strauss and wrote a piano Ramble on Rosenkavalier. There is an oddly subdued Stalt Vesselil. The very short choir piece Dalvisa is barely heard – a hummed vocalise. After such sensitivity comes the cheery The Crew of the Long Serpent.

When the Nazis invaded Denmark in 1940 Koppel, a Jew, immediately evacuated to Sweden. The post-War return to his native land coupled with the unfolding of the true nature and extent of the horrors perpetrated on the Jews and many other peoples drove Koppel back to the Old Testament. Three works, all from 1949, resulted: Three Psalms of David for tenor, choirs and orchestra and two song cycles - Five Biblical Songs and Four Love Songs from the Canticles of Solomon.

The fifth symphony, which I have seen described as enigmatic and the most elusive of this composer's six essays in the medium, is the one that has enabled me to make the breakthrough into his music. It is a remarkable achievement that has absolutely nothing derivative in it that I can hear, so if I mention Gerhard for the convincing juxtaposition of linear ideas and orchestration and Ives for the multilayering of a marvellous orchestral sounds, it is only to underline the stature of this piece.